the merest luck that my book had not appeared before Cecil's solicitors had spoken.
The account given in Lord Birkenhead's Famous Trials is the Speech for the Prosecution. Mrs. Cecil Chesterton's chapter is an impressionist sketch of the court scene by a friend of the defendant. What was wanted was an impartial account, but I tried in vain to write it. The chronology of events, the connection between the Government Commission and the Libel Case, the connection between the English and American Marconi companies--it was all too complex for the lay mind, so I turned the chapter over to my husband who has had a legal training and asked him to write it for me.
The Chestertons is concerned with Gilbert and Frances as well as with Cecil; and the confusion between memory and imagination--to say nothing of reliance on feelings unsupported by facts--pervades the book. It can only be called a Legend, so long growing in Mrs. Cecil's mind that I am convinced that when she came to write her book she firmly believed in it herself. The starting-point was so ardent a dislike for Frances that every incident poured fuel on the flame and was seen only by its light. When I saw her, the Legend was beginning to shape. She told me various stories showing her dislike: facts offered by me were either denied or twisted to fit into the pattern. I do not propose to discuss here the details of a thoroughly unreliable book. Most of them I think answer themselves in the course of this biography. With one or two points I deal in Appendix C. But I will set down here one further incident that serves to show just how little help this particular witness could ever be.
For, like Cecil's solicitors, I spoilt one telling detail for her. She told me with great enthusiasm that Cecil had said that Gilbert was really in love not with Frances but with her sister Gertrude, and that Gertrude's red hair accounted for the number of red-headed heroines in his stories. I told her, however, on the word of their brother-in-law, that Gertrude's hair was not red. Mr. Oldershaw in fact seemed a good deal amused: he said that Gilbert never looked at either of the other sisters, who were "not his sort," and had eyes only for Frances. Mrs. Cecil however would not relinquish this dream of red hair and another love. In her book she wishes "red-gold" hair on to Annie Firmin, because in the Autobiography Gilbert had described her golden plaits. But unluckily for this new theory Annie's hair was yellow,* which is quite a different colour. And Annie, who is still alive, is also amused at the idea that Gilbert had any thought of romance in her connection.
[* See G.K.'s letter to her daughter, p. 633 [Chapter XXXI].]
When Frances Chesterton gave me the letters and other documents, she said: "I don't want the book to appear in a hurry: not for at least five years. There will be lots of little books written about Gilbert; let them all come out first. I want your book to be the final and definitive Biography."
The first part of this injunction I have certainly obeyed, for it will be just seven years after his death that this book appears. For the second half, I can say only that I have done the best that in me lies to obey it also. And I am very grateful to those who have preceded me with books depicting one aspect or another of my subject. I have tried to make use of them all as part of my material, and some are "little" merely in the number of their pages. I am especially grateful to Hilaire Belloc, Emile Cammaerts, Cyril Clemens and "Father Brown" (who have allowed me to quote with great freedom). I want to thank Mr. Seward Collins, Mr. Cyril Clemens and the University of Notre Dame for the loan of books; Mrs. Bambridge for the use of a letter from Kipling and a poem from The Years Between.
Even greater has been the kindness of those friends of my own and of Gilbert Chesterton's who have read this book in manuscript and made very valuable criticisms and suggestions: May Chesterton, Dorothy Collins, Edward Connor, Ross Hoffman, Mrs. Robert Kidd, Arnold Lunn, Mgr. Knox, Father Murtagh, Father Vincent McNabb, Lucian Oldershaw, Beatrice Warde, Douglas Woodruff, Monsignor O'Connor.
Most of the criticisms were visibly right, while even those with which I could not concur showed me the weak spot in my work that had occasioned them. They have helped me to improve the book--I think I may say enormously.
One suggestion I have not followed--that one name should be used throughout: either Chesterton or Gilbert or G.K., but not all three. I had begun with
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