Germany from the Earliest Period, vol 4 | Page 4

native of Glogau, whose dramas are worthy of a better age than the insipid century in which they were produced. The life of this dramatist was full of incident. His father was poisoned; his mother died of a broken heart. He wandered over Germany during the thirty years' war, pursued by fire, sword, and pestilence, to the latter of which the whole of his relations fell victims. He travelled over the whole of Europe, spoke eleven languages, and became a professor at Leyden, where he taught history, geography, mathematics, physics, and anatomy. These poets were, however, merely exceptions to the general rule. In the poetical societies, the "Order of the Palm" or "Fructiferous Society," founded A.D. 1617, at Weimar, by Caspar von Teutleben, the "Upright Pine Society," established by Rempler of L?wenthal at Strasburg, that of the "Roses," founded A.D. 1643, by Philip von Zesen, at Hamburg, the "Order of the Pegnitz-shepherds," founded A.D. 1644, by Harsd?rfer, at Nuremberg, the spirit of the Italian and French operas and academies prevailed, and pastoral poetry, in which the god of Love was represented wearing an immense allonge peruke, and the coquettish immorality of the courts was glowingly described in Arcadian scenes of delight, was cultivated. The fantastical romances of Spain were also imitated, and the invention of novel terms was deemed the highest triumph of the poet. Every third word was either Latin, French, Spanish, Italian, or English. Francisci of L��beck, who described all the discoveries of the New World in a colloquial romance contained in a thick folio volume, was the most extravagant of these scribblers. The romances of Antony Ulric, duke of Brunswick, who embraced Catholicism on the occasion of the marriage of his daughter with the emperor Charles VI., are equally bad. Lauremberg's satires, written A.D. 1564, are excellent. He said with great truth that the French had deprived the German muse of her nose and had patched on another quite unsuited to her German ears. Moscherosch (Philander von Sittewald) wrote an admirable and cutting satire upon the manners of the age, and Greifenson von Hirschfeld is worthy of mention as the author of the first historical romance that gives an accurate and graphic account of the state of Germany during the thirty years' war.
This first school was succeeded by a second of surpassing extravagance. Hoffman von Hoffmannswaldau, A.D. 1679, the founder of the second Silesian school, was a caricature of Opitz, Lohenstein of Gryphius, Besser of Flemming, Talander and Ziegler of Zesen, and even Francisci was outdone by that most intolerable of romancers, Happel. This school was remarkable for the most extravagant license and bombastical nonsense, a sad proof of the moral perversion of the age. The German character, nevertheless, betrayed itself by a sort of na?ve pedantry, a proof, were any wanting, that the ostentatious absurdities of the poets of Germany were but bad and paltry imitations. The French Alexandrine was also brought into vogue by this school, whose immorality was carried to the highest pitch by G��nther, the lyric poet, who, in the commencement of the eighteenth century, opposed marriage, attempted the emancipation of the female sex, and, with criminal geniality, recommended his follies and crimes, as highly interesting, to the world. To him the poet, Schnabel, the author of an admirable romance, the "Island of Felsenburg," the asylum, in another hemisphere, of virtue, exiled from Europe, offers a noble contrast.
Three Catholic poets of extreme originality appear at the close of the seventeenth century, Angelus Silesius (Scheffler of Breslau), who gave to the world his devotional thoughts in German Alexandrines; Father Abraham a Sancta Clara (Megerle of Swabia), a celebrated Viennese preacher, who, with comical severity, wrote satires abounding with wit and humorous observations; and Balde, who wrote some fine Latin poems on God and nature. Pr?torius, A.D. 1680, the first collector of the popular legendary ballads concerning R��bezahl and other spirits, ghosts and witches, also deserves mention. The Silesian, Stranizki, who, A.D. 1708, founded the Leopoldstadt theatre at Vienna, which afterward became so celebrated, and gave to it the popular comic style for which it is famous at the present day, was also a poet of extreme originality. Gottsched appeared as the hero of Gallomania, which was at that time threatened with gradual extinction by the Spanish and Hamburg romance and by Viennese wit. Assisted by Neuber, the actress, he extirpated all that was not strictly French, solemnly burned Harlequin in effigy at Leipzig, A.D. 1737, and laid down a law for German poetry, which prescribed obedience to the rules of the stilted French court-poetry, under pain of the critic's lash. He and his learned wife guided the literature of Germany for several years.
In the midst of these literary aberrations, during the first part of the foregoing century, Thomson, the English poet, Brokes of Hamburg,