Georgina of the Rainbows | Page 8

him gladly far an hour's play with two little Portugese boys and their sister, who often wandered up to the dunes back of the house.
She had watched them often enough to know that their names were Manuel and Joseph and Rosa. They were beautiful children, such as some of the old masters delighted to paint, but they fought and quarreled and--Tippy said--used "shocking language." That is why Georgina was not allowed to play with them, but she often stood at the back gate watching them, envying their good times together and hoping to hear a sample of their shocking language.
One day when they strolled by dragging a young puppy in a rusty saucepan by a string tied to the handle, the temptation to join them overcame her. Inch by inch her hand moved up nearer the forbidden gate latch and she was just slipping through when old Jeremy, hidden behind a hedge where he was weeding the borders, rose up like an all-seeing dragon and roared at her, "Coom away, lass! Ye maun't do that!"
She had not known that he was anywhere around, and the voice coming suddenly out of the unseen startled her so that her heart seemed to jump up into her throat. It made her angry, too. Only the moment before she had heard Rosa scream at Manuel, "You ain't my boss; shut your big mouth!"
It was on the tip of her tongue to scream the same thing at old Jeremy and see what would happen. She felt, instinctively, that this was shocking language. But she had not yet outgrown the lurking fear which always seized her in his presence that either her teeth or his might fly out if she wasn't careful, so she made no answer. But compelled to vent her inward rebellion in some way, she turned her back on the hedge that screened him and shook the gate till the latch rattled.
Looking up she saw the tall Pilgrim monument towering over the town like a watchful giant. She had a feeling that it, too, was spying on her. No matter where she went, even away out in the harbor in a motor boat, it was always stretching its long neck up to watch her. Shaking back her curls, she looked up at it defiantly and made a face at it, just the ugliest pucker of a face she could twist her little features into.
But it was only on rare occasions that Georgina felt the longing for playmates of her own age. Usually she was busy with her lessons or happily following her mother and Mrs. Triplett around the house, sharing all their occupations. In jelly-making time she had the scrapings of the kettle to fill her own little glass. When they sewed she sewed with them, even when she was so small that she had to have the thread tied in the needle's eye, and could do no more than pucker up a piece of soft goods into big wallops. But by the time she was nine years old she had learned to make such neat stitches that Barbara sent specimens of her needlework back to Kentucky, and folded others away in a little trunk of keepsakes, to save for her until she should be grown.
Abo by the time she was nine she could play quite creditably a number of simple Etudes on the tinkly old piano which had lost some of its ivories. Her daily practicing was one of the few things about which Barbara was strict. So much attention had been given to her own education in music that she found joy in keeping up her interest in it, and wanted to make it one of Georgina's chief sources of pleasure. To that end she mixed the stories of the great operas and composers with her fairy tales and folk lore, until the child knew them as intimately as she did her Hans Andersen and Uncle Remus.
They often acted stories together, too. Even Mrs. Triplett was dragged into these, albeit unwillingly, for minor but necessary parts. For instance, in "Lord Ullin's Daughter," she could keep on with her knitting and at the same time do "the horsemen hard behind us ride," by clapping her heels on the hearth to sound like hoof-beats.
Acting came as naturally to Georgina as breathing. She could not repeat the simplest message without unconsciously imitating the tone and gesture of the one who sent it. This dramatic instinct made a good reader of her when she took her turn with Barbara in reading aloud. They used to take page about, sitting with their arms around each other on the old claw- foot sofa, backed up against the library table.
At such performances the old Towncrier was often an interested spectator. Barbara welcomed him when he first came because