Gaston de Latour | Page 9

lenten feast of Purification. His new companions, at the head and in the rear of the long procession, forced every one, even the Lord Bishop himself, to move apace, bustling along, cross-bearer and acolyte, in their odd little copes, out of the bitter air, which made the jolly life Gaston now entered on, around the great fire of their hall in the episcopal palace, seem all the more winsome.
Notre-Dame de Chartres! It was a world to explore, as if one explored the entire Middle Age; it was also one unending, elaborate, religious function--a life, or a continuous drama, to take one's part in. Dependent on its structural completeness, on its wealth of well- preserved ornament, on its unity in variety, perhaps on some undefinable operation of genius, beyond, but concurrently with, all these, the church of Chartres has still the gift of a unique power of impressing. In comparison, the other famous churches of France, at Amiens for instance, at Rheims or Beauvais, may seem but formal, and to a large extent reproducible, effects of mere architectural rule on a gigantic scale. The [29] somewhat Gothic soul of Gaston relished there something strange, or even bizarre, in the very manner in which the building set itself, so broadly couchant, upon the earth; in the natural richness of tone on the masonry within; in its vast echoing roof of timber, the "forest," as it was called; in the mysterious maze traced upon its pavement; its maze-like crypt, centering in the shrine of the sibylline Notre-Dame, itself a natural or very primitive grotto or cave. A few years were still to pass ere sacrilegious hands despoiled it on a religious pretext:--the catholic church must pay, even with the molten gold of her sanctuaries, the price of her defence in the civil war. At present, it was such a treasure-house of medieval jewellery as we have to make a very systematic effort even to imagine. The still extant register of its furniture and sacred apparel leaves the soul of the ecclesiologist athirst.
And it had another very remarkable difference from almost all Gothic churches: there were no graves there. Its emptiness in this respect is due to no revolutionary or Huguenot desecration. Once indeed, about this very time, a popular military leader had been interred with honour, within the precinct of the high altar itself. But not long afterwards, said the reverend canons, resenting on the part of their immaculate patroness this intrusion, the corpse itself, ill at ease, had protested, lifting up its hands above [30] the surface of the pavement, as if to beg interment elsewhere; and Gaston could remember assisting, awakened suddenly one night, at the removal of the remains to a more ordinary place of sepulture.
And yet that lavish display of jewellers' work on the altars, in the chapels, the sacristies, of Our Lady's Church, was but a framing for little else than dead people's bones. To Gaston, a piteous soul, with a touch also of that grim humour which, as we know, holds of pity, relic-worship came naturally. At Deux-manoirs too there had been relics, including certain broken children's toys and some rude childish drawings, taken forth now and then with almost religious veneration, with trembling hands and renewal of old grief, to his wondering awe at the greatness of men's sorrows. Yes! the pavement under one's feet had once been, might become again for him, molten lava. The look, the manner, of those who exposed these things, had been a revelation. The abundant relics of the church of Chartres were for the most part perished remnants of the poor human body itself; but, appertaining to persons long ago and of a far-off, immeasurable kind of sanctity, stimulated a more indifferent sort of curiosity, and seemed to bring the distant, the impossible, as with tangible evidence of fact, close to one's side. It was in one's hand--the finger of an Evangelist! The crowned head of Saint Lubin, bishop of Chartres [31] long centuries since, but still able to preserve its wheat-stacks from fire; bones of the "Maries," with some of the earth from their grave; these, and the like of these, was what the curious eye discerned in the recesses of those variously contrived reliquaries, great and small, glittering so profusely about the dusky church, itself ministering, by its very shadows, to a certain appetite in the soul of Gaston for dimness--for a dim place like this--such as he had often prefigured to himself, albeit with some suspicion of what might seem a preference for darkness. Physical twilight we most of us love, in its season. To him, that perpetual twilight came in close identity with its moral or intellectual counterpart, as the welcome requisite for that part of the soul which loves twilight, and is, in truth, never