Gallipoli Diary, Volume I, by Ian
Hamilton
The Project Gutenberg EBook of Gallipoli Diary, Volume I, by Ian
Hamilton This eBook is for the use of anyone anywhere at no cost and
with almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Gallipoli Diary, Volume I
Author: Ian Hamilton
Release Date: September 19, 2006 [EBook #19317]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK
GALLIPOLI DIARY, VOLUME I ***
Produced by Suzanne Shell, Janet Blenkinship and the Online
Distributed Proofreading Team at http://www.pgdp.net
GALLIPOLI DIARY
BY GENERAL SIR IAN HAMILTON, G.C.B.
AUTHOR OF "A STAFF-OFFICER'S SCRAP-BOOK," ETC.
WITH ILLUSTRATIONS AND MAPS
IN TWO VOLUMES
VOL. I
NEW YORK GEORGE H. DORAN COMPANY 1920 PRINTED BY
UNWIN BROTHERS, LTD.--WOKING--ENGLAND
PREFACE
On the heels of the South African War came the sleuth-hounds
pursuing the criminals, I mean the customary Royal Commissions. Ten
thousand words of mine stand embedded in their Blue Books, cold and
dead as so many mammoths in glaciers. But my long spun-out
intercourse with the Royal Commissioners did have living issue--my
Manchurian and Gallipoli notes. Only constant observation of civilian
Judges and soldier witnesses could have shown me how fallible is the
unaided military memory or have led me by three steps to a War
Diary:--
(1) There is nothing certain about war except that one side won't win.
(2) The winner is asked no questions--the loser has to answer for
everything.
(3) Soldiers think of nothing so little as failure and yet, to the extent of
fixing intentions, orders, facts, dates firmly in their own minds, they
ought to be prepared.
Conclusion:--In war, keep your own counsel, preferably in a note-book.
The first test of the new resolve was the Manchurian Campaign, 1904-5;
and it was a hard test. Once that Manchurian Campaign was over I
never put pen to paper--in the diary sense[1]--until I was under orders
for Constantinople. Then I bought a note-book as well as a Colt's
automatic (in fact, these were the only two items of special outfit I did
buy), and here are the contents--not of the auto but of the book. Also,
from the moment I took up the command, I kept cables, letters and
copies (actions quite foreign to my natural disposition), having been
taught in my youth by Lord Roberts that nothing written to a
Commander-in-Chief, or his Military Secretary, can be private if it has
a bearing on operations. A letter which may influence the Chief
Command of an Army and, therefore, the life of a nation, may be
"Secret" for reasons of State; it cannot possibly be "Private" for
personal reasons.[2]
At the time, I am sure my diary was a help to me in my work. The
crossings to and from the Peninsula gave me many chances of
reckoning up the day's business, sometimes in clear, sometimes in a
queer cipher of my own. Ink stands with me for an emblem of futurity,
and the act of writing seemed to set back the crisis of the moment into a
calmer perspective. Later on, the diary helped me again, for although
the Dardanelles Commission did not avail themselves of my formal
offer to submit what I had written to their scrutiny, there the records
were. Whenever an event, a date and a place were duly entered in their
actual coincidence, no argument to the contrary could prevent them
from falling into the picture: an advocate might just as well waste
eloquence in disputing the right of a piece to its own place in a jig-saw
puzzle. Where, on the other hand, incidents were not entered, anything
might happen and did happen; vide, for instance, the curious
misapprehension set forth in the footnotes to pages 59, 60, Vol. II.
So much for the past. Whether these entries have not served their turn
is now the question. They were written red-hot amidst tumult, but
faintly now, and as in some far echo, sounds the battle-cry that once
stopped the beating of thousands of human hearts as it was borne out
upon the night wind to the ships. Those dread shapes we saw through
our periscopes are dust: "the pestilence that walketh in darkness" and
"the destruction that wasteth at noonday" are already images of speech:
only the vastness of the stakes; the intensity of the effort and the
grandeur of the sacrifice still stand out clearly when we, in dreams,
behold the Dardanelles. Why not leave that shining impression as a
martial cloak to cover the errors and vicissitudes of all the poor mortals
who, in the words of Thucydides, "dared beyond their strength,
hazarded against their judgment, and in extremities
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.