Further Chronicles of Avonlea | Page 2

as, for instance; what more is needed to describe the forlornness of the home from which Anne was rescued than the statement that even the trees around it "looked like orphans"?
The poetic touch, too, never fails in the right place and is never too frequently introduced in her descriptions. They throw a glamor over that Northern land which otherwise you might imagine as rather cold and barren. What charming Springs they must have there! One sees all the fruit-trees clad in bridal garments of pink and white; and what a translucent sky smiles down on the ponds and the reaches of bay and cove!
"The Eastern sky was a great arc of crystal, smitten through with auroral crimsonings."
"She was as slim and lithe as a young white-stemmed birch-tree; her hair was like a soft dusky cloud, and her eyes were as blue as Avonlea Harbor in a fair twilight, when all the sky is a-bloom over it."
Sentiment with a humorous touch to it prevails in the first two stories of the present book. The one relates to the disappearance of a valuable white Persian cat with a blue spot in its tail. "Fatima" is like the apple of her eye to the rich old aunt who leaves her with two nieces, with a stern injunction not to let her out of the house. Of course both Sue and Ismay detest cats; Ismay hates them, Sue loathes them; but Aunt Cynthia's favor is worth preserving. You become as much interested in Fatima's fate as if she were your own pet, and the climax is no less unexpected than it is natural, especially when it is made also the last act of a pretty comedy of love.
Miss Montgomery delights in depicting the romantic episodes hidden in the hearts of elderly spinsters as, for instance, in the case of Charlotte Holmes, whose maid Nancy would have sent for the doctor and subjected her to a porous plaster while waiting for him, had she known that up stairs there was a note-book full of original poems. Rather than bear the stigma of never having had a love-affair, this sentimental lady invents one to tell her mocking young friends. The dramatic and unexpected denouement is delightful fun.
Another note-book reveals a deeper romance in the case of Miss Emily; this is related by Anne of Green Gables, who once or twice flashes across the scene, though for the most part her friends and neighbors at White Sands or Newbridge or Grafton as well as at Avonlea are the persons involved.
In one story, the last, "Tannis of the Flats," the secret of Elinor Blair's spinsterhood is revealed in an episode which carries the reader from Avonlea to Saskatchewan and shows the unselfish devotion of a half-breed Indian girl. The story is both poignant and dramatic. Its one touch of humor is where Jerome Carey curses his fate in being compelled to live in that desolate land in "the picturesque language permissible in the far Northwest."
Self-sacrifice, as the real basis of happiness, is a favorite theme in Miss Montgomery's fiction. It is raised to the nth power in the story entitled, "In Her Selfless Mood," where an ugly, misshapen girl devotes her life and renounces marriage for the sake of looking after her weak and selfish half-brother. The same spirit is found in "Only a Common Fellow," who is haloed with a certain splendor by renouncing the girl he was to marry in favor of his old rival, supposed to have been killed in France, but happily delivered from that tragic fate.
Miss Montgomery loves to introduce a little child or a baby as a solvent of old feuds or domestic quarrels. In "The Dream Child," a foundling boy, drifting in through a storm in a dory, saves a heart-broken mother from insanity. In "Jane's Baby," a baby-cousin brings reconciliation between the two sisters, Rosetta and Carlotta, who had not spoken for twenty years because "the slack-twisted" Jacob married the younger of the two.
Happiness generally lights up the end of her stories, however tragic they may set out to be. In "The Son of His Mother," Thyra is a stern woman, as "immovable as a stone image." She had only one son, whom she worshipped; "she never wanted a daughter, but she pitied and despised all sonless women." She demanded absolute obedience from Chester--not only obedience, but also utter affection, and she hated his dog because the boy loved him: "She could not share her love even with a dumb brute." When Chester falls in love, she is relentless toward the beautiful young girl and forces Chester to give her up. But a terrible sorrow brings the old woman and the young girl into sympathy, and unspeakable joy is born of the trial.
Happiness also comes to "The Brother who Failed."