Fruit-Gathering | Page 7

Rabindranath Tagore
in. Victory,
O Light!
The heart of the night is pierced!
With your flashing sword cut in twain the tangle of doubt and feeble
desires!
Victory!
Come, Implacable!
Come, you who are terrible in your whiteness.
O Light, your drum sounds in the march of fire, and the red torch is
held on high; death dies in a burst of splendour!

XL
O fire, my brother, I sing victory to you.
You are the bright red image of fearful freedom.
You swing your arms in the sky, you sweep your impetuous fingers
across the harp-string, your dance music is beautiful.
When my days are ended and the gates are opened you will burn to
ashes this cordage of hands and feet.
My body will be one with you, my heart will be caught in the whirls of
your frenzy, and the burning heat that was my life will flash up and
mingle itself in your flame.

XLI
The Boatman is out crossing the wild sea at night.
The mast is aching because of its full sails filled with the violent wind.
Stung with the night's fang the sky falls upon the sea, poisoned with
black fear.
The waves dash their heads against the dark unseen, and the Boatman is
out crossing the wild sea.
The Boatman is out, I know not for what tryst, startling the night with
the sudden white of his sails.
I know not at what shore, at last, he lands to reach the silent courtyard
where the lamp is burning and to find her who sits in the dust and
waits.

What is the quest that makes his boat care not for storm nor darkness?
Is it heavy with gems and pearls?
Ah, no, the Boatman brings with him no treasure, but only a white rose
in his hand and a song on his lips.
It is for her who watches alone at night with her lamp burning.
She dwells in the wayside hut. Her loose hair flies in the wind and
hides her eyes.
The storm shrieks through her broken doors, the light flickers in her
earthen lamp flinging shadows on the walls.
Through the howl of the winds she hears him call her name, she whose
name is unknown.
It is long since the Boatman sailed. It will be long before the day breaks
and he knocks at the door.
The drums will not be beaten and none will know.
Only light shall fill the house, blessed shall be the dust, and the heart
glad.
All doubts shall vanish in silence when the Boatman comes to the
shore.

XLII
I cling to this living raft, my body, in the narrow stream of my earthly
years.
I leave it when the crossing is over. And then?
I do not know if the light there and the darkness are the same.
The Unknown is the perpetual freedom:
He is pitiless in his love.
He crushes the shell for the pearl, dumb in the prison of the dark.
You muse and weep for the days that are done, poor heart!
Be glad that days are to come!
The hour strikes, O pilgrim!
It is time for you to take the parting of the ways!
His face will be unveiled once again and you shall meet.

XLIII
Over the relic of Lord Buddha King Bimbisâr built a shrine, a
salutation in white marble.

There in the evening would come all the brides and daughters of the
King's house to offer flowers and light lamps.
When the son became king in his time he washed his father's creed
away with blood, and lit sacrificial fires with its sacred books.
The autumn day was dying. The evening hour of worship was near.
Shrimati, the queen's maid, devoted to Lord Buddha, having bathed in
holy water, and decked the golden tray with lamps and fresh white
blossoms, silently raised her dark eyes to the queen's face.
The queen shuddered in fear and said, "Do you not know, foolish girl,
that death is the penalty for whoever brings worship to Buddha's
shrine?
"Such is the king's will."
Shrimati bowed to the queen, and turning away from her door came and
stood before Amitâ, the newly wed bride of the king's son.
A mirror of burnished gold on her lap, the newly wed bride was
braiding her dark long tresses and painting the red spot of good luck at
the parting of her hair.
Her hands trembled when she saw the young maid, and she cried,
"What fearful peril would you bring me! Leave me this instant."
Princess Shuklâ sat at the window reading her book of romance by the
light of the setting sun.
She started when she saw at her door the maid with the sacred
offerings.
Her book
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