Fromont and Risler, vol 4 | Page 8

Alphonse Daudet
her feet with the agility of a deer; and, wresting herself from Risler's grasp, through that open door which had tempted her from the beginning of this horrible scene, luring her out into the darkness of the night to the liberty obtainable by flight, she rushed from the house, braving the falling snow and the wind that stung her bare shoulders.
"Stop her, stop her!--Risler, Planus, I implore you! In pity's name do not let her go in this way," cried Claire.
Planus stepped toward the door.
Risler detained him.
"I forbid you to stir! I ask your pardon, Madame, but we have more important matters than this to consider. Madame Risler concerns us no longer. We have to save the honor of the house of Fromont, which alone is at stake, which alone fills my thoughts at this moment."
Sigismond put out his hand.
"You are a noble man, Risler. Forgive me for having suspected you."
Risler pretended not to hear him.
"A hundred thousand francs to pay, you say? How much is there left in the strong-box?"
He sat bravely down behind the gratin, looking over the books of account, the certificates of stock in the funds, opening the jewel-cases, estimating with Planus, whose father had been a jeweller, the value of all those diamonds, which he had once so admired on his wife, having no suspicion of their real value.
Meanwhile Claire, trembling from head to foot, looked out through the window at the little garden, white with snow, where Sidonie's footsteps were already effaced by the fast-falling flakes, as if to bear witness that that precipitate departure was without hope of return.
Up-stairs they were still dancing. The mistress of the house was supposed to be busy with the preparations for supper, while she was flying, bare-headed, forcing back sobs and shrieks of rage.
Where was she going? She had started off like a mad woman, running across the garden and the courtyard of the factory, and under the dark arches, where the cruel, freezing wind blew in eddying circles. Pere Achille did not recognize her; he had seen so many shadows wrapped in white pass his lodge that night.
The young woman's first thought was to join the tenor Cazaboni, whom at the last she had not dared to invite to her ball; but he lived at Montmartre, and that was very far away for her to go, in that garb; and then, would he be at home? Her parents would take her in, doubtless; but she could already hear Madame Chebe's lamentations and the little man's sermon under three heads. Thereupon she thought of Delobelle, her old Delobelle. In the downfall of all her splendors she remembered the man who had first initiated her into fashionable life, who had given her lessons in dancing and deportment when she was a little girl, laughed at her pretty ways, and taught her to look upon herself as beautiful before any one had ever told her that she was so. Something told her that that fallen star would take her part against all others. She entered one of the carriages standing at the gate and ordered the driver to take her to the actor's lodgings on the Boulevard Beaumarchais.
For some time past Mamma Delobelle had been making straw hats for export- a dismal trade if ever there was one, which brought in barely two francs fifty for twelve hours' work.
And Delobelle continued to grow fat in the same degree that his "sainted wife" grew thin. At the very moment when some one knocked hurriedly at his door he had just discovered a fragrant soup 'au fromage', which had been kept hot in the ashes on the hearth. The actor, who had been witnessing at Beaumarchais some dark-browed melodrama drenched with gore even to the illustrated headlines of its poster, was startled by that knock at such an advanced hour.
"Who is there?" he asked in some alarm.
"It is I, Sidonie. Open the door quickly."
She entered the room, shivering all over, and, throwing aside her wrap, went close to the stove where the fire was almost extinct. She began to talk at once, to pour out the wrath that had been stifling her for an hour, and while she was describing the scene in the factory, lowering her voice because of Madame Delobelle, who was asleep close by, the magnificence of her costume in that poor, bare, fifth floor, the dazzling whiteness of her disordered finery amid the heaps of coarse hats and the wisps of straw strewn about the room, all combined to produce the effect of a veritable drama, of one of those terrible upheavals of life when rank, feelings, fortunes are suddenly jumbled together.
"Oh! I never shall return home. It is all over. Free--I am free!"
"But who could have betrayed you to your husband?" asked the actor.
"It was Frantz!
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