Fromont and Risler, vol 2 | Page 8

the evening, when the windows were open, they sang duets; and in presence of the stars in heaven, which began to twinkle simultaneously with the lanterns on the railway around the city, Ferdinand would become poetical. But when the rain came and he could not go out, what misery! Madame Chebe, a thorough Parisian, sighed for the narrow streets of the Marais, her expeditions to the market of Blancs- Manteaux, and to the shops of the quarter.
As she sat by the window, her usual place for sewing and observation, she would gaze at the damp little garden, where the volubilis and the nasturtiums, stripped of their blossoms, were dropping away from the lattices with an air of exhaustion, at the long, straight line of the grassy slope of the fortifications, still fresh and green, and, a little farther on, at the corner of a street, the office of the Paris omnibuses, with all the points of their route inscribed in enticing letters on the green walls. Whenever one of the omnibuses lumbered away on its journey, she followed it with her eyes, as a government clerk at Cayenne or Noumea gazes after the steamer about to return to France; she made the trip with it, knew just where it would stop, at what point it would lurch around a corner, grazing the shop-windows with its wheels.
As a prisoner, M. Chebe became a terrible trial. He could not work in the garden. On Sundays the fortifications were deserted; he could no longer strut about among the workingmen's families dining on the grass, and pass from group to group in a neighborly way, his feet encased in embroidered slippers, with the authoritative demeanor of a wealthy landowner of the vicinity. This he missed more than anything else, consumed as he was by the desire to make people think about him. So that, having nothing to do, having no one to pose before, no one to listen to his schemes, his stories, the anecdote of the accident to the Duc d'Orleans--a similar accident had happened to him in his youth, you remember--the unfortunate Ferdinand overwhelmed his wife with reproaches.
"Your daughter banishes us--your daughter is ashamed of us!"
She heard nothing but that "Your daughter--your daughter--your daughter!" For, in his anger with Sidonie, he denied her, throwing upon his wife the whole responsibility for that monstrous and unnatural child. It was a genuine relief for poor Madame Chebe when her husband took an omnibus at the office to go and hunt up Delobelle--whose hours for lounging were always at his disposal--and pour into his bosom all his rancor against his son-in-law and his daughter.
The illustrious Delobelle also bore Risler a grudge, and freely said of him: "He is a dastard."
The great man had hoped to form an integral part of the new household, to be the organizer of festivities, the 'arbiter elegantiarum'. Instead of which, Sidonie received him very coldly, and Risler no longer even took him to the brewery. However, the actor did not complain too loud, and whenever he met his friend he overwhelmed him with attentions and flattery; for he had need of him.
Weary of awaiting the discerning manager, seeing that the engagement he had longed for so many years did not come, it had occurred to Delobelle to purchase a theatre and manage it himself. He counted upon Risler for the funds. Opportunely enough, a small theatre on the boulevard happened to be for sale, as a result of the failure of its manager. Delobelle mentioned it to Risler, at first very vaguely, in a wholly hypothetical form--"There would be a good chance to make a fine stroke." Risler listened with his usual phlegm, saying, "Indeed, it would be a good thing for you." And to a more direct suggestion, not daring to answer, "No," he took refuge behind such phrases as "I will see"--"Perhaps later"-- "I don't say no"--and finally uttered the unlucky words "I must see the estimates."
For a whole week the actor had delved away at plans and figures, seated between his wife and daughter, who watched him in admiration, and intoxicated themselves with this latest dream. The people in the house said, "Monsieur Delobelle is going to buy a theatre." On the boulevard, in the actors' cafes, nothing was talked of but this transaction. Delobelle did not conceal the fact that he had found some one to advance the funds; the result being that he was surrounded by a crowd of unemployed actors, old comrades who tapped him familiarly on the shoulder and recalled themselves to his recollection--" You know, old boy." He promised engagements, breakfasted at the cafe, wrote letters there, greeted those who entered with the tips of his fingers, held very animated conversations in corners; and already two threadbare authors had read to him