From the Ball-Room to Hell | Page 3

shy glances at first, is soon able to meet more
daring ones until, with heart beating against heart, hand clasped in hand,
and eyes looking burning words which lips dare not speak, the waltz
becomes one long, sweet and purely sensual pleasure.
The more profitable things upon which she has been accustomed to
spend her time and thought, lose all attraction for her, and during the
time which intervenes between dancing school evenings, she feeds her
romantic passion on novels, unfit for any person to read, and which
would have been without special interest to her before she entered the
dancing school. She spends much thought upon those things which tend
to develop her lower nature, for "as a man thinketh, so is he." She has
never before had a thought she would not willingly express to her

mother. But now she thinks of and discusses with her girl friends of the
dancing school, subjects which she would shrink from mentioning to
her mother.
O, foolish girl, if she had but remembered that her best friend was her
mother, and that thoughts she could not express to her were thoughts in
which she should never indulge, what untold sorrow and shame she
might have been spared.
She graduates from the academy and is caught into the whirl of society,
and her life becomes what is called one round of pleasure--one round
certainly of parlor dances, social hops and grand balls with champaign
dinners and early goings home (early in the morning, of course).
This evening there is to be a ball of unusual grandeur. The last of the
season of gaiety, and the closing of the dancing-school term. Our friend
will surely be present. Let us attend. What a scene of beauty, gayety
and splendor. It must have been of just such scenes the poet wrote:
"There was a sound of revelry by night, And Belgium's capital had
gathered then-- Her beauty and chivalry"--
But see, there is our friend of the dancing academy just entering on the
arm of her devoted father. Three months have passed since we first met
her. She is much changed, yet one can scarcely see in what the change
consists. The face is the same, yet not the same. There is just the
shadow of coarseness in it, a little less of frank innocence and true
refinement, and a trace, not exactly of ill-health, but a want of freshness.
This last is, however, well concealed by the use of cosmetics, and she is
still a very beautiful girl, and the fond father's heart swells with pride as
he sees the handsomest and most fashionable gentlemen of the
ball-room press eagerly forward to ask her hand for the different dances
of the evening.
Her father remains for a few of the square dances, but soon retires,
knowing that his fair daughter will not want for attention
from--gentlemen whose attentions he is sure must be desirable,
certainly desirable, why not? Are these admirers not rich and handsome,

and do they not move in the highest society. Ah, foolish father, how
little he knows of the ways of ball-room society.
But let us turn our attention again to the dancers, at two o'clock next
morning. This is the favorite waltz, and the last and most furious of the
night, as well as the most disgusting. Let us notice, as an example, our
fair friend once more.
She is now in the vile embrace of the Apollo of the evening. Her head
rests upon his shoulder, her face is upturned to his, her bare arm is
almost around his neck, her partly nude swelling breast heaves
tumultuously against his, face to face they whirl on, his limbs
interwoven with hers, his strong right arm around her yielding form, he
presses her to him until every curve in the contour of her body thrills
with the amorous contact. Her eyes look into his, but she sees nothing;
the soft music fills the room, but she hears it not; he bends her body to
and fro, but she knows it not; his hot breath, tainted with strong drink,
is on her hair and cheek, his lips almost touch her forehead, yet she
does not shrink; his eyes, gleaming with a fierce, intolerable lust, gloat
over her, yet she does not quail. She is filled with the rapture of sin in
its intensity; her spirit is inflamed with passion and lust is gratified in
thought. With a last low wail the music ceases, and the dance for the
night is ended, but not the evil work of the night.
The girl whose blood is hot from the exertion and whose every carnal
sense is aroused and aflame by the repetition of such scenes as we have
witnessed, is led to the ever-waiting carriage,