From Edinburgh to India Burmah | Page 7

William G. Burn Murdoch
you jump! A jolly, cheery sound it is, almost nothing in the world so stirring excepting the pipes. There's a laughing brazen defiance in it, and gentleness too, as it dies away--most masculine music! What associations it must have for soldiers; even to the man of peace it suggests plate armour, the listed field and battles long ago.... Did you ever hear it in Edinburgh? up in the empty, windy castle esplanade--empty of all but memories--You see no bugler, but the wide grey walls and sky are filled with its golden notes. It echoes for a moment, and then there is quietness, till the noise of the town comes up again. And at night have you heard it? from the Far Side of Princes Street, the ethereal notes between you and the stars, long drawn notes of the last post, from an invisible bugler in the loom of the rock and the rolling clouds.
G. murmurs, "It is abominable--but after all, going to sea is all a matter of endurance." What a difference there is in the point of view--G., I must say, had a hair mattress last night, and it was not properly blanketted and entailed a certain amount of endurance; on the other hand she is extremely fortunate in having such glorious pink roses and beautiful hangings for nicknacks, touching parting gifts from friends, so her cabin already looks fairly homely; and then, on the walls, there is the most perfect round picture, framed in the bright brass of the porthole--a sailing ship hull down on the horizon, her sails shining like gold in the morning sun, on a sea of mother of pearl.... There is just the faintest rise and fall, and the air is full of the steady silky rushing sound; what is there like it, which you hear in fine weather when the sea makes way to let you pass.
Painted at a sketch to-day of people coming on board the "Egypt" from the tender, no great thing in colour, less in a black and white reproduction, for eye and hand were a little taken up with luggage--a note of lascars in blue dungarees and red turbans--East meeting West--the Indies in mauve and lilac hats and white veils; for shades of purple are all the fashion this year.
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[Illustration]
I have found a corner in the waist between first and second class, where one can draw or paint without being very much overlooked; you can get under the sky there, elsewhere you can't, and only see the horizon, for our first class deck is under the officers' deck, and the second class is covered with awnings, a very poor arrangement I think for you only get light on your toes. A sailing ship's deck is ever so much nicer, for you have a reasonable bulwark to keep wind and water off your body instead of an open rail. You can look over a bulwark comfortably, your eyes sheltered from the glare off the sea; on these steam-liners it comes slanting up to your eyes under eyebrows and eyelashes--no wonder people take to blue spectacles! In the sailing ship too you can look up and watch the bends of white canvas and the spars-and cordage swinging to and fro across the infinite blue, an endless delight! Here you have a floor and blistered paint a few inches above you, on which you know the officers promenade with the full sweep of the horizon round them and the arc of the sky above. Still another advantage of the sailing ship is, that you are not just one of a crowd, ticketed No. so and so, bedded, fed, and checked off by a numeral; and you can generally count on a barometer, and learn the names of lights and lands you pass; possibly there may even be a thermometer, and certainly a compass. On this "Egypt," barring a small scale Mercator's projection of the world on which the ship's position is marked daily, there is no means of getting the information that can make a sea voyage so infinitely interesting. I would suggest large sized charts showing landmarks, ship's position, and barometrical readings. What is more interesting at sea than the charts of ocean depths, currents, winds, salinity, and temperature! If you go too fast to touch on Plankton, Nekton, and Benthos, at least let the poor first class passengers have a compass, if not a barograph and a thermometer, to eke out conversations on the weather, the day's run, and bridge.
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"THE BAY"--the Great Bay, calm as a mill pond--there's a jolly sense of rest and peace on board; I
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