Frenzied Fiction | Page 6

had begun it even then."
"The whole spirit of the place"--the account continued--"has recently been admirably embodied in literary form by an American writer, Mr. Washington Irving (not to be confounded with George Washington). His creation of Father Knickerbocker is so lifelike that it may be said to embody the very spirit of New York. The accompanying woodcut--which was drawn on wood especially for this periodical--recalls at once the delightful figure of Father Knickerbocker. The New Yorkers of to-day are accustomed, indeed, to laugh at Mr. Irving's fancy and to say that Knickerbocker belongs to a day long since past. Yet those who know tell us that the image of the amiable old gentleman, kindly but irascible, generous and yet frugal, loving his town and seeing little beyond it, may be held once and for all to typify the spirit of the place, without reference to any particular time or generation."
"Father Knickerbocker!" I murmured, as I felt myself dozing off to sleep, rocked by the motion of the car. "Father Knickerbocker, how strange if he could be here again and see the great city as we know it now! How different from his day! How I should love to go round New York and show it to him as it is."
So I mused and dozed till the very rumble of the wheels seemed to piece together in little snatches. "Father Knickerbocker--Father Knickerbocker--the Battery--the Battery--citizens walking with their wives, with their wives--their own wives"--until presently, I imagine, I must have fallen asleep altogether and knew no more till my journey was over and I found myself among the roar and bustle of the concourse of the Grand Central.
And there, lo and behold, waiting to meet me, was Father Knickerbocker himself! I know not how it happened, by what queer freak of hallucination or by what actual miracle--let those explain it who deal in such things --but there he stood before me, with an outstretched hand and a smile of greeting, Father Knickerbocker himself, the Embodied Spirit of New York.
"How strange," I said. "I was just reading about you in a book on the train and imagining how much I should like actually to meet you and to show you round New York."
The old man laughed in a jaunty way.
"Show me round?" he said. "Why, my dear boy, I live here."
"I know you did long ago," I said.
"I do still," said Father Knickerbocker. "I've never left the place. I'll show you around. But wait a bit--don't carry that handbag. I'll get a boy to call a porter to fetch a man to take it."
"Oh, I can carry it," I said. "It's a mere nothing."
"My dear fellow," said Father Knickerbocker, a little testily I thought, "I'm as democratic and as plain and simple as any man in this city. But when it comes to carrying a handbag in full sight of all this crowd, why, as I said to Peter Stuyvesant about--about"--here a misty look seemed to come over the old gentleman's face--"about two hundred years ago, I'll be hanged if I will. It can't be done. It's not up to date."
While he was saying this, Father Knickerbocker had beckoned to a group of porters.
"Take this gentleman's handbag," he said, "and you carry his newspapers, and you take his umbrella. Here's a quarter for you and a quarter for you and a quarter for you. One of you go in front and lead the way to a taxi."
"Don't you know the way yourself?" I asked in a half-whisper.
"Of course I do, but I generally like to walk with a boy in front of me. We all do. Only the cheap people nowadays find their own way."
Father Knickerbocker had taken my arm and was walking along in a queer, excited fashion, senile and yet with a sort of forced youthfulness in his gait and manner.
"Now then," he said, "get into this taxi."
"Can't we walk?" I asked.
"Impossible," said the old gentleman. "It's five blocks to where we are going."
As we took our seats I looked again at my companion; this time more closely. Father Knickerbocker he certainly was, yet somehow strangely transformed from my pictured fancy of the Sleepy Hollow days. His antique coat with its wide skirt had, it seemed, assumed a modish cut as if in imitation of the bell-shaped spring overcoat of the young man about town. His three-cornered hat was set at a rakish angle till it looked almost like an up-to-date fedora. The great stick that he used to carry had somehow changed itself into the curved walking-stick of a Broadway lounger. The solid old shoes with their wide buckles were gone. In their place he wore narrow slippers of patent leather of which he seemed inordinately proud, for he had stuck his feet up ostentatiously on the seat opposite. His