French and Oriental Love in a Harem | Page 6

found the two portraits. One, a valuable miniature, represents a woman of twenty-five, the other is a photograph of Anna Campbell at the age of fifteen. Although not so pretty as her mother, perhaps, she has a charming childlike face; the poor little thing felt uncomfortable, no doubt, when they made her sit, for her expression is rather sulky and unnatural. Still she gives promise of being attractive when she has passed the awkward age. I felt myself suddenly possessed by a sentiment of affection for this unknown cousin, whose guardian I had become and whose husband I am to be. Upon this cold picture I repeated to my uncle the oath to obey his wishes; then, taking up a pen, I wrote a will appointing Anna Campbell the universal legatee of all the property which my uncle left us.
But one part of my inheritance, the most remarkable and the least expected, was at present unknown either to the notary or to myself.
I don't wish to make myself out better than I really am, my dear Louis: I must declare, nevertheless, that in spite of the very natural bewilderment which I felt on finding myself the owner of such a fortune, my first thought, when once I had disposed of the legal matters, was to pay a tribute of mournful regrets to the memory of my poor uncle. I should have considered it base ingratitude, not to say impiety on my part, to have shown myself too eager to enjoy the wealth bequeathed to me by so generous a benefactor. His loss really left a cruel void in my heart. I decided, therefore, at least to live a few months at F��rouzat. I wrote immediately to the aunt of Anna Campbell, to express my resolution to fulfil the wishes of my second father, begging her to dispose of my services in every way as those of a protector and friend ready to respond to every appeal. Four days afterwards, I received from her a most cordial and elegantly-worded letter. She assured me of her confidence in all the good accounts which my uncle had given of me; and she gave me news of my fianc��e, "who for one who is still only a child, promises already to develop into an accomplished woman."
Having discharged these conventional duties, I shut myself up in my retreat, and set to work.
For me to say that my retirement was not more distracted than I would have desired, might perhaps be called a dangerous assertion; but what could I do? Was it not my duty to acquaint myself with all that my uncle bequeathed to me? And the Lord knows what marvels my chateau of F��rouzat contained! Every day I made some fresh discovery in rooms full of curious furniture and antiquities of all ages and of all countries. Barbassou-Pasha was a born buyer of valuable objects, and the furniture was crammed with rich draperies, hangings, costumes, and objects of art or curios: my steward himself could not enumerate them all.
But the most delightful of all these marvels is certainly Kasre-el-Nouzha, my neighbouring property. Kasre-el-Nouzha was a Turkish fancy of my uncle's. These three Arabic words correspond to the Spanish Buen-Retiro; or, literally translated, they signify "Castle of Pleasures." This was the retreat, separated only by a party-wall from F��rouzat, that was formerly inhabited by the exiled minister who had fled from the persecutions of the Sultan. Picture to yourself, hidden in a great park whose umbrageous foliage concealed it from view, a delightful palace of the purest Oriental architecture, surrounded by gardens, with flowering shrubs covered with a wealth of blossoms, standing in the midst of green lawns, a sort of Vale of Temp�� transplanted, one might imagine, from the East. My uncle Barbassou, conscientious architect that he was, had copied the plan from one of the residences of the King of Kashmir. In the interior of the Kasre you might fancy yourself in the house of some grandee of Stamboul or of Bagdad. Luxuries, ornaments, furniture, and general domestic arrangements, have all been studied with the taste of an artist and the exactitude of an arch?ologist. At the same time European comforts are gratefully mingled with Turkish simplicity. The silken tapestries of Persia, the carpets of Smyrna with those harmonious hues which seem to be borrowed from the sun, the capacious divans, the bath-rooms, and the stores, all contribute in short to the completeness of an establishment, suitable to a Pasha residing under the sky of Provence. A little door in the park-wall gives access to this oasis. As you may guess, I passed many an hour there, and I dreamt dreams of "The Thousand and One Nights."
All this time I had never interrupted my labours; for you need not suppose that my nabob's