French Polishing and Enamelling

걪
French Polishing and Enamelling

Project Gutenberg's French Polishing and Enamelling, by Richard Bitmead This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
Title: French Polishing and Enamelling A Practical Work of Instruction
Author: Richard Bitmead
Release Date: March 6, 2006 [EBook #17935]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK FRENCH POLISHING AND ENAMELLING ***

Produced by K.D. Thornton and the Online Distributed Proofreading Team at http://www.pgdp.net

FRENCH POLISHING AND ENAMELLING
A Practical Work of Instruction
INCLUDING NUMEROUS RECIPES FOR MAKING POLISHES, VARNISHES, GLAZE-LACQUERS, REVIVERS, ETC.
BY RICHARD BITMEAD
AUTHOR OF "THE CABINET-MAKER'S GUIDE," "THE UPHOLSTERER'S GUIDE," ETC. Fourth Edition
[Illustration: Capio Lumen]
LONDON CROSBY LOCKWOOD AND SON 7, STATIONERS' HALL COURT, LUDGATE HILL 1910
[All rights reserved]
PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES.

AUTHOR'S PREFACE.
Early in the present century the method generally adopted for polishing furniture was by rubbing with beeswax and turpentine or with linseed-oil. That process, however, was never considered to be very satisfactory, which fact probably led to experiments being made for the discovery of an improvement. The first intimation of success in this direction appeared in the Mechanic's Magazine of November 22, 1823, and ran as follows: "The Parisians have now introduced an entirely new mode of polishing, which is called plaque, and is to wood precisely what plating is to metal. The wood by some process is made to resemble marble, and has all the beauty of that article with much of its solidity. It is even asserted by persons who have made trial of the new mode that water may be spilled upon it without staining it." Such was the announcement of an invention which was destined ultimately to become a new industry.
The following pages commence with a description of the art of French Polishing in its earliest infancy, care having been taken by the Author, to the best of his ability, to note all the new processes and manipulations, as well as to concisely and perspicuously arrange and describe the various materials employed, not only for French polishing but for the improving and preparation of furniture woods, a matter of great importance to the polisher. The arts of Staining and Imitating, whereby inferior woods are made to resemble the most costly, are also fully treated, as well as the processes of Enamelling, both in oil-varnishes and French polish, together with the method of decorating the same. The condition of the art of polishing in America is dwelt upon, and various interesting articles written by practical polishers in the States, which appeared in their trade journal, The Cabinet-maker, have been revised and printed in this work.
A number of valuable recipes, and other instructive matter, useful alike to the amateur and to the practical workman, are also given.

CONTENTS.
CHAPTER I.
THE IMPROVING AND PREPARATION OF FURNITURE WOODS. PAGE Improving 2 Matching 3 Painting 5 Dyed Polishes 6
CHAPTER II.
STAINS AND IMITATIONS. Imitation Mahogany 8 Imitation Rosewood 8 Imitation Walnut 9 Imitation Ebony 10 Imitation Oak 11 Imitation Satin-wood 12 A Blue Stain 13 A Green Stain 13 A Purple Stain 13 A Red Stain 14 Imitation Purple-wood Stain 14 Chemicals used in Staining 15 Process of Staining 16 Ready-made Wood Stains 17
CHAPTER III.
FRENCH POLISHING. The Polish Used 18 Rubbers 22 Position 24 Filling-in 25 Applying the Polish 26 Spiriting-off 30 Prepared Spirits 32 Antique Style 32 Dull or Egg-shell Polish 33 Polishing in the Lathe 34
CHAPTER IV.
CHEAP WORK. Glazing 37 Stencilling 39 Charcoal Polishing 40
CHAPTER V.
RE-POLISHING OLD WORK 42
CHAPTER VI.
SPIRIT VARNISHING. Varnishes 46 Brushes and Pencils 47 Mode of Operation 47 East Indian Varnishes 48
CHAPTER VII.
GENERAL INSTRUCTIONS. Remarks on Polishing 51 The Polishing Shop 52
CHAPTER VIII.
ENAMELLING. Materials 57 Tools 58 Mode of Operation 58 Polishing 60 Another Process 61 Decorations 63
CHAPTER IX.
AMERICAN POLISHING PROCESSES. Use of Fillers 65 Making Fillers 70 Japan of the Best Quality 70 Fillings for Light Woods 70 Another for Light Woods 70 For Mahogany or Cherry Wood 71 For Oak Wood 71 For Rosewood 71 For Black Walnut (1) 71 " (2) 71 An Oil Colour for Black Walnut (3) 72 Finishing 73 Black Walnut Finishing 75 Finishing Veneered Panels, etc. 78 Light Woods (Dead Finish) 79 Mahogany or Cherry Wood 79 Oak 79 Rosewood, Coromandel, or Kingwood (a Bright Finish) 79 Walnut 80 Finishing Cheap Work 81 With One Coat of Varnish 81 Wax Finishing 82 A Varnish Polish 82 With Copal or Zanzibar Varnish 83 Polishing Varnish 85 An American Polish Reviver 86
CHAPTER X.
MISCELLANEOUS RECIPES. Oil Polish 87 Wax Polish 87 Waterproof French Polish 88 Varnish for Musical Instruments 88 French Varnish for Cabinet-work 89 Mastic Varnish 89 Cabinet-maker's Varnish 90 Amber Varnish 90 Colourless Varnish with Copal 90 Seedlac Varnish 91 Patent Varnish