to be seen of her but a blurred outline, and the shining of her eyes.
"I guess," said Fran inscrutably, "you're not Mrs. Gregory."
"No," came the answer, with an almost imperceptible change of manner-- a change as of gradual petrifaction, "I am not Mrs. Gregory." And with that the lady, who was not Mrs. Gregory, quietly but forcibly closed the door.
It was as if, with the closing of that door, she would have shut Fran out of her life.
CHAPTER II
A DISTURBING LAUGH
A long stretch of wooden sidewalks with here and there a leprous breaking out of granitoid; a succession of dwellings, each in its yard of bluegrass, maple trees, and whitewashed palings, with several residences fine enough to excite wonder--for modest cottages set the architectural pace in the village; a stretch of open country beyond the corporate limits, with a footbridge to span the deep ravine--and then, at last, a sudden glow in the darkness not caused by the moon, with a circle of stamping and neighing horses encompassing the glow.
The sermon was ended, the exhortation was at the point of loudest voice and most impassioned earnestness. A number of men, most of them young, thronged the footpath leading from the stiles to the tent. A few were smoking; all were waiting for the pretty girls to come forth from the Christian camp. Fran pushed her way among the idlers with admirable nonchalance, her sharp elbow ready for the first resistive pair of ribs.
The crowd outside did not argue a scarcity of seats under the canvas. Fran found a plank without a back, loosely disposed, and entirely unoccupied. She seated herself, straight as an Indian, and with the air of being very much at ease.
The scene was new to her. More than a thousand villagers, ranged along a natural declivity, looked down upon the platform of undressed pine. In front of the platform men and women were kneeling on the ground. Some were bathed in tears; some were praying aloud; some were talking to those who stood, or knelt beside them; some were clasping convulsive hands; all were oblivious of surroundings.
Occasionally one heard above the stentorian voice of the exhorter, above the prayers and exclamations of the "seekers", a sudden shout of exultation--"Bless the Lord!" or a rapturous "_A-a_-MEN!" Then a kneeling figure would rise, and the exhorter would break off his plea to cry, "Our brother has found the Lord!"
From the hundred members of the choir, Fran singled out the man she had been seeking for so many years. It was easy enough to distinguish him from the singers who crowded the platform, not only by his baton which proclaimed the choir-leader, but by his resemblance to the picture she had discovered in a New York Sunday Supplement.
Hamilton Gregory was clean-shaved except for a silken reddish mustache; his complexion was fair, his hair a shade between red and brown, his eyes blue. His finely marked face and striking bearing were stamped with distinction and grace.
It was strange to Fran that he did not once glance in her direction. True, there was nothing in her appearance to excite especial attention, but she had looked forward to meeting him ever since she could remember. Now that her eyes were fastened on his face, now that they were so near, sheltered by a common roof, how could he help feeling her presence?
The choir-leader rose and lifted his baton. At his back the hundred men and women obeyed the signal, while hymn-books fluttered open throughout the congregation. Suddenly the leader of the choir started into galvanic life. He led the song with his sweet voice, his swaying body, his frantic baton, his wild arms, his imperious feet. With all that there was of him, he conducted the melodious charge up the ramparts of sin and indifference. If in repose, Fran had thought him singularly handsome and attractive, she now found him inspiring. His blue eyes burned with exaltation while his magic voice seemed to thrill with more than human ecstasy. The strong, slim, white hand tensely grasping the baton, was the hand of a powerful chieftain wielded in behalf of the God of Battles.
On the left, the heavy bass was singing,
"One thing we know, Wherever we go-- We reap what we sow, We reap what we sow."
While these words were being doled out at long and impressive intervals, like the tolling of a heavy bell, more than half a hundred soprano voices were hastily getting in their requisite number of half notes, thus--
"So scatter little, scatter little, scatter little, scatter little, Scatter little seeds of kindness."
In spite of the vast volume of sound produced by these voices, as well as by the accompaniment of two pianos and a snare-drum, the voice of Hamilton Gregory, soaring flute-like toward heaven, seemed to dart through the interstices
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