Folk-Tales of Napoleon

Folk-Tales of Napoleon

The Project Gutenberg EBook of Folk-Tales of Napoleon
by Honor�� de Balzac and Alexander Amphiteatrof This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net
Title: Folk-Tales of Napoleon The Napoleon of the People; Napoleonder
Author: Honor�� de Balzac and Alexander Amphiteatrof
Release Date: February 25, 2004 [EBook #11278]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK FOLK-TALES OF NAPOLEON ***

Produced by David Starner, Bill Walker and PG Distributed Proofreaders

FOLK-TALES OF NAPOLEON
NAPOLEONDER From the Russian
THE NAPOLEON OF THE PEOPLE From the French of Honor�� de Balzac
Translated With Introduction By GEORGE KENNAN
1902
CONTENTS
NAPOLEONDER THE NAPOLEON OF THE PEOPLE

INTRODUCTION
Most of the literature that has its origin in the life and career of a great man may be grouped and classified under two heads: history and biography. The part that relates to the man's actions, and to the influence that such actions have had in shaping the destinies of peoples and states, belongs in the one class; while the part that derives its interest mainly from the man's personality, and deals chiefly with the mental and moral characteristics of which his actions were the outcome, goes properly into the other. The value of the literature included in these two classes depends almost wholly upon truth; that is, upon the precise correspondence of the statements made with the real facts of the man's life and career. History is worse than useless if it does not accurately chronicle and describe events; and biography is valueless and misleading if it does not truly set forth individual character.
There is, however, a kind of great-man literature in which truth is comparatively unimportant, and that is the literature of popular legend and tradition. Whether it purports to be historical or biographical, or both, it derives its interest and value from the light that it throws upon the temperament and character of the people who originate it, rather than from the amount of truth contained in the statements that it makes about the man.
The folk-tales of Napoleon Bonaparte herewith presented, if judged from the viewpoint of the historian or the biographer, are absurdly and grotesquely untrue; but to the anthropologist and the student of human nature they are extremely valuable as self-revelations of national character; and even to the historian and the biographer they have some interest as evidences of the profoundly deep impression made by Napoleon's personality upon two great peoples--the Russians and the French.
The first story, which is entitled "Napoleonder," is of Russian origin, and was put into literary form, or edited, by Alexander Amphiteatrof of St. Petersburg. It originally appeared as a feuilleton in the St. Petersburg "Gazette" of December 13, 1901. As a characteristic specimen of Russian peasant folk-lore, it seems to me to have more than ordinary interest and value. The treatment of the supernatural may seem, to Occidental readers, rather daring and irreverent, but it is perfectly in harmony with the Russian peasant's anthropomorphic conception of Deity, and should be taken with due allowance for the educational limitations of the story-teller and his auditors. The Russian muzhik often brings God and the angels into his folk-tales, and does so without the least idea of treating them disrespectfully. He makes them talk in his own language because he has no other language; and if the talk seems a little grotesque and irreverent, it is due to the low level of the narrator's literary culture, and not to any intention, on his part, of treating God and the angels with levity. The whole aim of the story is a moral and religious one. The narrator is trying to show that sympathy and mercy are better than selfish ambition, and that war is not only immoral but irrational. The conversation between God, the angels, and the Devil is a mere prologue, intended to bring Napoleon and Ivan-angel on the stage and lay the foundation of the plot. The story-teller's keen sense of fun and humor is shown in many little touches, but he never means to be irreverent. The whole legend is set forth in the racy, idiomatic, highly elliptical language of the common Russian muzhik, and is therefore extremely difficult of translation; but I have tried to preserve, as far as possible, the spirit and flavor of the original.
The French story was first reduced to writing--or at least put into literary form--by Honor�� de Balzac, and appeared under the title of "The Napoleon of the People" in the third chapter of Balzac's "Country Doctor." It purports to be the story of Napoleon's life and career as related to a group of French peasants by one of his old soldiers--a man named Goguelat. It