christened "The Nook," with that appalling lack of humour which is nowhere portrayed more strikingly than in the naming of suburban residences. It stood fair and square in the middle of the crescent; and from garret to cellar there was not a nooky corner on which the eye could light. Two drawing-room windows flanked the front door on the left; two dining-room windows on the right. There was not even a gable or a dormer to break the square solidity of the whole. Fourteen windows in all, each chastely shrouded in Nottingham lace curtains, looped back by yellow silk bands, fastened, to a fraction of an inch, at the same height from the sill, while Aspidistra plants, mounted on small tables, were artfully placed so as to fill up the space necessarily left in the centre. They were handsome plants of venerable age, which Mason, the parlourmaid, watered twice a week, sponging their leaves with milk before she replaced them in their pots.
It was a typical early Victorian residence, inhabited by a spinster lady of early Victorian type and her four henchwomen--Heap the cook, Mary the housemaid, Mason the parlourmaid, and Jane the tweeny. Four women, plus a boot-boy, to wait upon the wants of one solitary person, yet in conclave with the domestic at The Croft to the right, and The Holt to the left, Miss Briskett's maids were wont to assert that they were worked off their feet. It was, as has been said, an early Victorian household, conducted on early Victorian lines. Other people might be content to buy half their supplies ready-made from the stores, but Miss Briskett insisted on home-made bread, home-made jams and cakes; home- made pickles and sauces; home-cured tongues and hams, and home-made liqueurs. Cook kept the tweeny busy in the kitchen, while Mary grumbled at having to keep half a dozen unused bedrooms in spick and span perfection, and Mason spent her existence in polishing, and sweeping invisible grains of dust from out-of-the-way-corners.
As a rule the domestic wheel turned on oiled wheels and Miss Briskett's existence flowed on its even course, from one year's end to another, with little but the weather to differentiate one month from another, but on the day on which this history begins, a thunderbolt had fallen in the shape of a letter bearing a New York post-mark, which the postman handed in at the door of The Nook at the three o'clock delivery. Miss Briskett read its contents, and gasped; read them again, and trembled; read them a third time, and sat buried in thought for ten minutes by the clock, at the expiration of which time she opened her own desk, and penned a note to her friend and confidant, Mrs Ramsden, of The Holt--
"My dear Friend,--I have just received a communication from America which is causing me considerable perturbation. If your engagements will allow, I should be grateful if you will take tea with me this afternoon, and give me the benefit of your wise counsel. Pray send a verbal answer by bearer.--Yours sincerely,--
"Sophia A Briskett."
The trim Mason took the note to its destination, and waited in the hall while Mrs Ramsden wrote her reply. The reference to a verbal answer was only a matter of form. Miss Briskett would have been surprised and affronted to receive so unceremonious a reply to her invitation--
"My dear Friend,--It will give me pleasure to take tea with you this afternoon, as you so kindly suggest. I trust that the anxiety under which you are labouring may be of a temporary nature, and shall be thankful indeed if I can in any way assist to bring about its solution.--Most truly yours,--
"Ellen Bean Ramsden."
"The best china, Mason, and a teapot for two!" was Miss Briskett's order on receipt of this cordial response, and an hour later the two ladies sat in conclave over a daintily-spread table in the drawing-room of The Nook.
Miss Briskett was a tall, thin woman of fifty-eight or sixty, wearing a white cap perched upon her grey hair, and an expression of frosty propriety on her thin, pointed features. Frosty is the adjective which most accurately describes her appearance. One felt a moral conviction that she would suffer from chilblains in winter, that the long, thin fingers must be cold to the touch, even on this bright May day; that the tip of her nose was colder still, that she could not go to sleep at night without a hot bottle to her feet. She was addicted to grey dresses, composed of stiff and shiny silk, and to grey bonnets glittering with steely beads. She creaked, as she moved, and her thin figure was whale-boned into an unnatural rigidity.
Mrs Ramsden was, in appearance at least, a striking contrast to her friend, being a dumpy little woman,
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