energetic, and so interesting in spite of its crimes.
An author ought to be above converting his tale, when the tale is true, into a species of surprise-game, and of taking his readers, as certain novellists do, through many volumes and from cellar to cellar, to show them the dry bones of a dead body, and tell them, by way of conclusion, that THAT is what has frightened them behind doors, hidden in the arras, or in cellars where the dead man was buried and forgotten. In spite of his aversion for prefaces, the author feels bound to place the following statement at the head of this narrative. Ferragus is a first episode which clings by invisible links to the "History of the THIRTEEN," whose power, naturally acquired, can alone explain certain acts and agencies which would otherwise seem supernatural. Although it is permissible in tellers of tales to have a sort of literary coquetry in becoming historians, they ought to renounce the benefit that may accrue from an odd or fantastic title-- on which certain slight successes have been won in the present day. Consequently, the author will now explain, succinctly, the reasons that obliged him to select a title to his book which seems at first sight unnatural.
FERRAGUS is, according to ancient custom, a name taken by the chief or Grand Master of the Devorants. On the day of their election these chiefs continue whichever of the dynasties of their Order they are most in sympathy with, precisely as the Popes do, on their accession, in connection with pontifical dynasties. Thus the Devorants have "Trempe-la Soupe IX.," "Ferragus XXII.," "Tutanus XIII.," "Masche-Fer IV.," just as the Church has Clement XIV., Gregory VII., Julius II., Alexander VI., etc.
Now, then, who are the Devorants? "Devorant" is the name of one of those tribes of "Companions" that issued in ancient times from the great mystical association formed among the workers of Christianity to rebuild the temple at Jerusalem. Companionism (to coin a word) still exists in France among the people. Its traditions, powerful over minds that are not enlightened, and over men not educated enough to cast aside an oath, might serve the ends of formidable enterprises if some rough-hewn genius were to seize hold of these diverse associations. All the instruments of this Companionism are well-nigh blind. From town to town there has existed from time immemorial, for the use of Companions, an "Obade,"--a sort of halting-place, kept by a "Mother," an old woman, half-gypsy, with nothing to lose, knowing everything that happens in her neighborhood, and devoted, either from fear or habit, to the tribe, whose straggling members she feeds and lodges. This people, ever moving and changing, though controlled by immutable customs, has its eyes everywhere, executes, without judging it, a WILL,--for the oldest Companion still belongs to an era when men had faith. Moreover, the whole body professes doctrines that are sufficiently true and sufficiently mysterious to electrify into a sort of tribal loyalty all adepts whenever they obtain even a slight development. The attachment of the Companions to their laws is so passionate that the diverse tribes will fight sanguinary battles with each other in defence of some question of principle.
Happily for our present public safety, when a Devorant is ambitious, he builds houses, lays by his money, and leaves the Order. There is many a curious thing to tell about the "Compagnons du Devoir" [Companions of the Duty], the rivals of the Devorants, and about the different sects of working-men, their usages, their fraternity, and the bond existing between them and the free-masons. But such details would be out of place here. The author must, however, add that under the old monarchy it was not an unknown thing to find a "Trempe-la- Soupe" enslaved to the king sentenced for a hundred and one years to the galleys, but ruling his tribe from there, religiously consulted by it, and when he escaped from his galley, certain of help, succor, and respect, wherever he might be. To see its grand master at the galleys is, to the faithful tribe, only one of those misfortunes for which providence is responsible, and which does not release the Devorants from obeying a power created by them to be above them. It is but the passing exile of their legitimate king, always a king for them. Thus we see the romantic prestige attaching to the name of Ferragus and to that of the Devorants completely dissipated.
As for the THIRTEEN, they were all men of the stamp of Trelawney, Lord Byron's friend, who was, they say, the original of his "Corsair." They were all fatalists, men of nerve and poesy, weary of leading flat and empty lives, driven toward Asiatic enjoyments by forces all the more excessive because, long dormant, they awoke furious.
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