Fannys First Play | Page 5

speaks French so unnecessarily well that everybody there spots him as an Englishman the moment he opens his mouth. Very witty and all that. Pretends to turn up his nose at the theatre and says people make too much fuss about art [the Count is extremely indignant]. But thats only his modesty, because art is his own line, you understand. Mind you dont chaff him about Aristotle.
THE COUNT. Why should I chaff him about Aristotle?
SAVOYARD. Well, I dont know; but its one of the recognized ways of chaffing him. However, youll get on with him all right: hes a man of the world and a man of sense. The one youll have to be careful about is Vaughan.
THE COUNT. In what way, may I ask?
SAVOYARD. Well, Vaughan has no sense of humor; and if you joke with him he'll think youre insulting him on purpose. Mind: it's not that he doesnt see a joke: he does; and it hurts him. A comedy scene makes him sore all over: he goes away black and blue, and pitches into the play for all hes worth.
THE COUNT. But surely that is a very serious defect in a man of his profession?
SAVOYARD. Yes it is, and no mistake. But Vaughan is honest, and dont care a brass farthing what he says, or whether it pleases anybody or not; and you must have one man of that sort to say the things that nobody else will say.
THE COUNT. It seems to me to carry the principle of division of labor too far, this keeping of the honesty and the other qualities in separate compartments. What is Mr Gunn's speciality, if I may ask?
SAVOYARD. Gunn is one of the intellectuals.
THE COUNT. But arnt they all intellectuals?
SAVOYARD. Lord! no: heaven forbid! You must be careful what you say about that: I shouldnt like anyone to call me an Intellectual: I dont think any Englishman would! They dont count really, you know; but still it's rather the thing to have them. Gunn is one of the young intellectuals: he writes plays himself. Hes useful because he pitches into the older intellectuals who are standing in his way. But you may take it from me that none of these chaps really matter. Flawner Bannal's your man. Bannal really represents the British playgoer. When he likes a thing, you may take your oath there are a hundred thousand people in London thatll like it if they can only be got to know about it. Besides, Bannal's knowledge of the theatre is an inside knowledge. We know him; and he knows us. He knows the ropes: he knows his way about: he knows what hes talking about.
THE COUNT. [with a little sigh] Age and experience, I suppose?
SAVOYARD. Age! I should put him at twenty at the very outside, myself. It's not an old man's job after all, is it? Bannal may not ride the literary high horse like Trotter and the rest; but I'd take his opinion before any other in London. Hes the man in the street; and thats what you want.
THE COUNT. I am almost sorry you didnt give the gentleman his full terms. I should not have grudged the fifty guineas for a sound opinion. He may feel shabbily treated.
SAVOYARD. Well, let him. It was a bit of side, his asking fifty. After all, what is he? Only a pressman. Jolly good business for him to earn ten guineas: hes done the same job often enough for half a quid, I expect.
_Fanny O'Dowda comes precipitately through the curtains, excited and nervous. A girl of nineteen in a dress synchronous with her father's._
FANNY. Papa, papa, the critics have come. And one of them has a cocked hat and sword like a-- [she notices Savoyard] Oh, I beg your pardon.
THE COUNT. This is Mr Savoyard, your impresario, my dear.
FANNY. [shaking hands] How do you do?
SAVOYARD. Pleased to meet you, Miss O'Dowda. The cocked hat is all right. Trotter is a member of the new Academic Committee. He induced them to go in for a uniform like the French Academy; and I asked him to wear it.
THE FOOTMAN. [announcing] Mr Trotter, Mr Vaughan, Mr Gunn, Mr Flawner Bannal. [The four critics enter. Trotter wears a diplomatic dress, with sword and three-cornered hat. His age is about 50. Vaughan is 40. Gunn is 30. Flawner Bannal is 20 and is quite unlike the others. They can be classed at sight as professional men: Bannal is obviously one of those unemployables of the business class who manage to pick up a living by a sort of courage which gives him cheerfulness, conviviality, and bounce, and is helped out positively by a slight turn for writing, and negatively by a comfortable ignorance and lack of intuition which hides from him all the dangers and