Everymans Land | Page 5

America." The newly qualified aviator had, indeed, fallen in his first battle: but according to the writer it had been a battle of astonishing glory for a beginner. Single-handed he had engaged four enemy machines, manoeuvring his own little Nieuport in a way to excite the highest admiration and even surprise in all spectators. Two out of the four German 'planes he had brought down over the French lines; and was in chase of the third, flying low above the German trenches, when two new Fokkers appeared on the scene and attacked him. His plane crashed to earth in flames, and a short time after, prisoners had brought news of his death.
"Mr. and Mrs. James W. Beckett will have the sympathy of all Europe as well as their native land, in these tragic circumstances," the journalist ended his story with a final flourish. "If such grief could be assuaged, pride in the gallant death of their gallant son might be a panacea."
"As if you could make pride into a balm for broken hearts!" I said to myself in scorn of this flowery eloquence. For a few minutes I forgot my own plight to pity these people whom I had never seen. The Paris Daily Messenger slid off my lap on to the floor, and dropped with the back page up. When I had glanced toward the bed, and seen that Brian still slept, my eyes fell on the paper again. The top part of the last page is always devoted to military snapshots, and a face smiled up at me from it--a face I had seen once and never forgotten.
My heart gave a jump, Padre, because the one tiny, abbreviated dream-romance of my life came from the original of that photograph. Although the man I knew (if people can know each other in a day's acquaintance) had been en civile, and this one was in aviator's uniform, I was sure they were the same. And even before I'd snatched up the paper to read what was printed under the picture, something--the wonderful inner Something that's never wrong--told me I was looking at a portrait of Jimmy Beckett.
CHAPTER II
I never mentioned my one-day romance to anybody. Only very silly, sentimental girls would put such an episode into words, and flatter themselves by calling it a romance. But now that you and Jimmy Beckett have both given your lives for the great cause, and are in the same mysterious Beyond while I'm still down here at Crucifix Corner, I can tell you the story. If you and he meet, it may make it easier for him to forgive me the thing I have done.
When Brian and I were having that great summer holiday of ours, the year before the war--one day we were in a delicious village near a cathedral town on the Belgian border. A piece of luck had fallen in our way, like a ripe apple tumbling off a tree. A rich Parisian and his wife came motoring along, and stopped out of sheer curiosity to look at a picture Brian was painting, under a white umbrella near the roadside. I was not with him. I think I must have been in the garden of our quaint old hotel by the canal side, writing letters--probably one to you; but the couple took such a fancy to Brian's "impression," that they offered to buy it. The bargain was struck, there and then. Two days later arrived a telegram from Paris asking for another picture to "match" the first at the same price. I advised Brian to choose out two or three sketches for the people to select from, and carry them to Paris himself, rather than trust the post. He went; and it was on the one day of his absence that my romance happened.
Ours was a friendly little hotel, with a darling landlady, who was almost as much interested in Brian and me as if she'd been our foster-mother. The morning after Brian left, she came waddling out to the adorable, earwiggy, rose-covered summer-house that I'd annexed as a private sitting room. "Mademoiselle," she breathlessly announced, "there is a young millionaire of a monsieur Anglais or Américain just arrived. What a pity he should be wasted because Monsieur your brother has gone! I am sure if he could but see one of the exquisite pictures he would wish to buy all!"
"How do you know that the monsieur is a millionaire, and what makes you think he would care about pictures?" I enquired.
"I know he is a millionaire because he has come in one of those grand automobiles which only millionaires ever have. And I think he cares for pictures because the first thing he did when he came into the hall was to stare at the old prints on the