Everlasting Pearl | Page 6

Anna Magdalena Johannsen
in gay colours. Now the feasting began in real earnest. The pipers struck up their usual melody, and with each hour the excitement grew.
The following morning the trousseau had to be packed, but the bride had nothing to do with it. She did not rise from her bed at all. Her breakfast was brought to her by one of her relatives, and she was exhorted to eat heartily, as that would be her last meal till the following morning. Towards dinner-time she was coaxed to get up, but she persistently refused to do so, and began bemoaning her fate, in having to leave her parents and her own home to go to strangers. Every now and again the mother joined in the wailing, and the relatives stood round them crying, trying in vain to comfort them. After dinner the bride was again urged to get up, but maidenly modesty and her dutifulness to her parents still forbade her to obey. No one should have any reason to say that she was anxious to go. She wanted to show how loath she was to leave her parents, and every one was praising her, and saying that such a dutiful daughter would make a filial daughter-in-law.
But even the most ardent filial piety could not put off the hour of separation much longer. At last she was dragged from her bed by the women who had to prepare her for her journey, and she reluctantly submitted to the preparation. Her hair was shaved all around the edges, the hair in front, which used to make the fringe for the forehead, was pulled out. Then her hair was combed straight back to show that she was now to enter the ranks of the married women. Then she was powdered and painted, and dressed in her bridal attire, which consisted of a red skirt, and red cloak, beautifully embroidered in bright colours, but rather the worse for wear, as it had accompanied the bridal chair on many another journey. The box with the mitre was brought forth and the crown was placed on her head, already too richly adorned with artificial flowers. And now the wailing broke forth beyond all bounds, the young bride and her mother vying with each other in making the greatest possible noise; at times beating their heads against the wall, the bed, or the table in their self-imposed manifestations of sorrow.
Outside, the trousseau was being sent off, as it had to reach the bride's future home before she entered the same. Two men carried a cupboard between them. Others followed with some chairs, and a table covered with candlesticks and all kinds of utensils. A pair of the bride's shoes might also be found, placed within those of the bridegroom's, for, as every one remarked, "The two must now walk together till old age." Others carried a couple of red wooden boxes filled with the clothes and personal belongings of the bride, also a wadded bed-quilt, a bed-curtain, and two embroidered pillows, etc. The whole procession made an imposing show, and the relatives of Everlasting Pearl looked after it with pride. The girl had been well provided for, and could lift up her head without shame before her husband's people.
The bride herself was at that time kneeling in her bedroom on a large sieve (a token that all evil influences are "sifted out" and all good luck and riches "sifted in"), bidding farewell to all her relatives. One by one they were led to her, beginning with her parents and brothers, and ending with the distant relatives, neighbours, and guests. To each one she clung in despair, clutching their feet, and vowing she could not leave them; and she did not let go her hold until a coin, wrapped in red paper, was dropped into the sieve; then, with a few words of comfort, the giver would move away to make room for another, and all the time the red paper parcels increased in number.
When the farewells had nearly come to an end, the middleman urged a speedy departure, and at last, when she still delayed, he entered the room, lifted the weeping girl into his arms, and carried her out into the guest-hall. Standing on the table before the ancestral tablet, she worshipped her dead ancestors for the last time, for from henceforth they were nothing to her, as she would bear another's name. This performance over, the middleman again lifted her up like a child, and placed her in the chair. The little bride was then locked in, the key to the chair resting in the pocket of her guide. Fire-crackers were let off, the pipers piped, and the bride, loudly wailing, was on her way to her future home.
Her brothers followed her for a short distance. After
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