Esther Waters | Page 4

"Look there, the third one; that's he--that's Silver Braid."
An impatient knocking at the kitchen window interrupted his admiration, and William, turning quickly, said, "Mind you say the train was late; don't say I kept you, or you'll get me into the devil of a pickle. This way." The door let into a wide passage covered with coconut matting. They walked a few yards; the kitchen was the first door, and the handsome room she found herself in did not conform to anything that Esther had seen or heard of kitchens. The range almost filled one end of the room, and on it a dozen saucepans were simmering; the dresser reached to the ceiling, and was covered with a multitude of plates and dishes. Esther thought how she must strive to keep it in its present beautiful condition, and the elegant white-capped servants passing round the white table made her feel her own insignificance.
"This is the new kitchen-maid, mother."
"Ah, is it indeed?" said Mrs. Latch looking up from the tray of tartlets which she had taken from the oven and was filling with jam. Esther noticed the likeness that Mrs. Latch bore to her son. The hair was iron grey, and, as in William's face, the nose was the most prominent feature.
"I suppose you'll tell me the train was late?"
"Yes, mother, the train was a quarter of an hour late," William chimed in.
"I didn't ask you, you idle, lazy, good-for-nothing vagabond. I suppose it was you who kept the girl all this time. Six people coming to dinner, and I've been the whole day without a kitchen-maid. If Margaret Gale hadn't come down to help me, I don't know where we should be; as it is, the dinner will be late."
The two housemaids, both in print dresses, stood listening. Esther's face clouded, and when Mrs. Latch told her to take her things off and set to and prepare the vegetables, so that she might see what she was made of, Esther did not answer at once. She turned away, saying under her breath, "I must change my dress, and my box has not come up from the station yet."
"You can tuck your dress up, and Margaret Gale will lend you her apron."
Esther hesitated.
"What you've got on don't look as if it could come to much damage. Come, now, set to."
The housemaids burst into loud laughter, and then a sullen look of dogged obstinacy passed over and settled on Esther's face, even to the point of visibly darkening the white and rose complexion.

II
A sloping roof formed one end of the room, and through a broad, single pane the early sunlight fell across a wall papered with blue and white flowers. Print dresses hung over the door. On the wall were two pictures--a girl with a basket of flowers, the coloured supplement of an illustrated newspaper, and an old and dilapidated last century print. On the chimney-piece there were photographs of the Gale family in Sunday clothes, and the green vases that Sarah had given Margaret on her birthday.
And in a low, narrow iron bed, pushed close against the wall in the full glare of the sunlight, Esther lay staring half-awake, her eyes open but still dim with dreams. She looked at the clock. It was not yet time to get up, and she raised her arms as if to cross them behind her head, but a sudden remembrance of yesterday arrested her movement, and a sudden shadow settled on her face. She had refused to prepare the vegetables. She hadn't answered, and the cook had turned her out of the kitchen. She had rushed from the house under the momentary sway of hope that she might succeed in walking back to London; but William had overtaken her in the avenue, he had expostulated with her, he had refused to allow her to pass. She had striven to tear herself from him, and, failing, had burst into tears. However, he had been kind, and at last she had allowed him to lead her back, and all the time he had filled her ears with assurances that he would make it all right with his mother. But Mrs. Latch had closed her kitchen against her, and she had had to go to her room. Even if they paid her fare back to London, how was she to face her mother? What would father say? He would drive her from the house. But she had done nothing wrong. Why did cook insult her?
As she pulled on her stockings she stopped and wondered if she should awake Margaret Gale. Margaret's bed stood in the shadow of the obliquely falling wall; and she lay heavily, one arm thrown forward, her short, square face raised to the light. She slept so deeply that for a moment Esther felt