Essays on Paul Bourget | Page 5

was at this point that I seemed to get on the right track at last. M. Bourget would teach us to know ourselves; that was it: he would reveal us to ourselves. That would be an education. He would explain us to ourselves. Then we should understand ourselves; and after that be able to go on more intelligently.
It seemed a doubtful scheme. He could explain us to himself--that would be easy. That would be the same as the naturalist explaining the bug to himself. But to explain the bug to the bug--that is quite a different matter. The bug may not know himself perfectly, but he knows himself better than the naturalist can know him, at any rate.
A foreigner can photograph the exteriors of a nation, but I think that that is as far as he can get. I think that no foreigner can report its interior--its soul, its life, its speech, its thought. I think that a knowledge of these things is acquirable in only one way; not two or four or six--absorption; years and years of unconscious absorption; years and years of intercourse with the life concerned; of living it, indeed; sharing personally in its shames and prides, its joys and griefs, its loves and hates, its prosperities and reverses, its shows and shabbinesses, its deep patriotisms, its whirlwinds of political passion, its adorations--of flag, and heroic dead, and the glory of the national name. Observation? Of what real value is it? One learns peoples through the heart, not the eyes or the intellect.
There is only one expert who is qualified to examine the souls and the life of a people and make a valuable report--the native novelist. This expert is so rare that the most populous country can never have fifteen conspicuously and confessedly competent ones in stock at one time. This native specialist is not qualified to begin work until he has been absorbing during twenty-five years. How much of his competency is derived from conscious "observation"? The amount is so slight that it counts for next to nothing in the equipment. Almost the whole capital of the novelist is the slow accumulation of unconscious observation-- absorption. The native expert's intentional observation of manners, speech, character, and ways of life can have value, for the native knows what they mean without having to cipher out the meaning. But I should be astonished to see a foreigner get at the right meanings, catch the elusive shades of these subtle things. Even the native novelist becomes a foreigner, with a foreigner's limitations, when he steps from the State whose life is familiar to him into a State whose life he has not lived. Bret Harte got his California and his Californians by unconscious absorption, and put both of them into his tales alive. But when he came from the Pacific to the Atlantic and tried to do Newport life from study- conscious observation--his failure was absolutely monumental. Newport is a disastrous place for the unacclimated observer, evidently.
To return to novel-building. Does the native novelist try to generalize the nation? No, he lays plainly before you the ways and speech and life of a few people grouped in a certain place--his own place--and that is one book. In time he and his brethren will report to you the life and the people of the whole nation--the life of a group in a New England village; in a New York village; in a Texan village; in an Oregon village; in villages in fifty States and Territories; then the farm-life in fifty States and Territories; a hundred patches of life and groups of people in a dozen widely separated cities. And the Indians will be attended to; and the cowboys; and the gold and silver miners; and the negroes; and the Idiots and Congressmen; and the Irish, the Germans, the Italians, the Swedes, the French, the Chinamen, the Greasers; and the Catholics, the Methodists, the Presbyterians, the Congregationalists, the Baptists, the Spiritualists, the Mormons, the Shakers, the Quakers, the Jews, the Campbellites, the infidels, the Christian Scientists, the Mind-Curists, the Faith-Curists, the train-robbers, the White Caps, the Moonshiners. And when a thousand able novels have been written, there you have the soul of the people, the life of the people, the speech of the people; and not anywhere else can these be had. And the shadings of character, manners, feelings, ambitions, will be infinite.
"'The nature of a people' is always of a similar shade in its vices and its virtues, in its frivolities and in its labor. 'It is this physiognomy which it is necessary to discover', and every document is good, from the hall of a casino to the church, from the foibles of a fashionable woman to the suggestions of a revolutionary leader. I am therefore quite sure that