Lost;" but to the best of his knowledge and 
power, in his smaller way, according to his nature and the questions of 
his time, Pope was, like Milton, endeavouring "to justify the ways of 
God to Man." He even borrowed Milton's line for his own poem, only 
weakening the verb, and said that he sought to "vindicate the ways of 
God to Man." In Milton's day the questioning all centred in the doctrine 
of the "Fall of Man," and questions of God's Justice were associated 
with debate on fate, fore-knowledge, and free will. In Pope's day the 
question was not theological, but went to the root of all faith in 
existence of a God, by declaring that the state of Man and of the world 
about him met such faith with an absolute denial. Pope's argument, 
good or bad, had nothing to do with questions of theology. Like 
Butler's, it sought for grounds of faith in the conditions on which doubt 
was rested. Milton sought to set forth the story of the Fall in such way 
as to show that God was love. Pope dealt with the question of God in 
Nature, and the world of Man. 
Pope's argument was attacked with violence my M. de Crousaz, 
Professor of Philosophy and Mathematics in the University of 
Lausanne, and defended by Warburton, then chaplain to the Prince of 
Wales, in six letters published in 1739, and a seventh in 1740, for 
which Pope (who died in 1744) was deeply grateful. His offence in the 
eyes of de Crousaz was that he had left out of account all doctrines of 
orthodox theology. But if he had been orthodox of the orthodox, his 
argument obviously could have been directed only to the form of doubt 
it sought to overcome. And when his closing hymn was condemned as 
the freethinker's hymn, its censurers surely forgot that their arguments 
against it would equally apply to the Lord's Prayer, of which it is, in 
some degree, a paraphrase. 
The first design of the Essay on Man arranged it into four books, each 
consisting of a distinct group of Epistles. The First Book, in four 
Epistles, was to treat of man in the abstract, and of his relation to the
Universe. That is the whole work as we have it now. The Second Book 
was to treat of Man Intellectual; the Third Book, of Man Social, 
including ties to Church and State; the Fourth Book, of Man Moral, 
was to illustrate abstract truth by sketches of character. This part of the 
design is represented by the Moral Essays, of which four were written, 
to which was added, as a fifth, the Epistle to Addison which had been 
written much earlier, in 1715, and first published in 1720. The four 
Moral essays are two pairs. One pair is upon the Characters of Men and 
on the Characters of Women, which would have formed the opening of 
the subject of the Fourth Book of the Essay: the other pair shows 
character expressed through a right or a wrong use of Riches: in fact, 
Money and Morals. The four Epistles were published separately. The 
fourth (to the Earl of Burlington) was first published in 1731, its title 
then being "Of Taste;" the third (to Lord Bathurst) followed in 1732, 
the year of the publication of the first two Epistles on the "Essay on 
Man." In 1733, the year of publication of the Third Epistle of the 
"Essay on Man," Pope published his Moral Essay of the "Characters of 
Men." in 1734 followed the Fourth Epistle of the "Essay on Man;" and 
in 1735 the "Characters of Women," addressed to Martha Blount, the 
woman whom Pope loved, though he was withheld by a frail body from 
marriage. Thus the two works were, in fact, produced together, parts of 
one design. 
Pope's Satires, which still deal with characters of men, followed 
immediately, some appearing in a folio in January, 1735. That part of 
the epistle to Arbuthnot forming the Prologue, which gives a character 
of Addison, as Atticus, had been sketched more than twelve years 
before, and earlier sketches of some smaller critics were introduced; but 
the beginning and the end, the parts in which Pope spoke of himself 
and of his father and mother, and his friend Dr. Arbuthnot, were written 
in 1733 and 1734. Then follows an imitation of the first Epistle of the 
Second Book of the Satires of Horace, concerning which Pope told a 
friend, "When I had a fever one winter in town that confined me to my 
room for five or six days, Lord Bolingbroke, who came to see me, 
happened to take up a Horace that lay on the table, and, turning it over, 
dropped on the first satire in the Second Book, which begins, 'Sunt,    
    
		
	
	
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