English Literature: Its History and Significance for the Life of the English-Speaking World | Page 7

personal style. Its object, aside from the delight it gives us, is to know man, that is, the soul of man rather than his actions; and since it preserves to the race the ideals upon which all our civilization is founded, it is one of the most important and delightful subjects that can occupy the human mind.
BIBLIOGRAPHY. (NOTE. Each chapter in this book includes a special bibliography of historical and literary works, selections for reading, chronology, etc.; and a general bibliography of texts, helps, and reference books will be found at the end. The following books, which are among the best of their kind, are intended to help the student to a better appreciation of literature and to a better knowledge of literary criticism.)
GENERAL WORKS. Woodberry's Appreciation of Literature (Baker & Taylor Co.); Gates's Studies in Appreciation (Macmillan); Bates's Talks on the Study of Literature (Houghton, Mifflin); Worsfold's On the Exercise of Judgment in Literature (Dent); Harrison's The Choice of Books (Macmillan); Ruskin's Sesame and Lilies,


Part I; Matthew Arnold's Essays in Criticism.
ESSAYS. Emerson's Books, in Society and Solitude; Dowden's The Interpretation of Literature, in Transcripts and Studies (Kegan Paul & Co.), and The Teaching of English Literature, in New Studies in Literature (Houghton, Mifflin); The Study of Literature, Essays by Morley, Nicolls, and L. Stephen, edited by A.F. Blaisdell (Willard Small).
CRITICISM. Gayley and Scott's An Introduction to the Methods and Materials of Literary Criticism (Ginn and Company); Winchester's Principles of Literary Criticism (Macmillan); Worsfold's Principles of Criticism (Longmans); Johnson's Elements of Literary Criticism (American Book Company); Saintsbury's History of Criticism (Dodd, Mead).
POETRY. Gummere's Handbook of Poetics (Ginn and Company); Stedman's The Nature and Elements of Poetry (Houghton, Mifflin); Johnson's The Forms of English Poetry (American Book Company); Alden's Specimens of English Verse (Holt); Gummere's The Beginnings of Poetry (Macmillan); Saintsbury's History of English Prosody (Macmillan).
THE DRAMA. Caffin's Appreciation of the Drama (Baker & Taylor Co.).
THE NOVEL. Raleigh's The English Novel (Scribner); Hamilton's The Materials and Methods of Fiction (Baker & Taylor Co.).
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CHAPTER II
THE ANGLO-SAXON OR OLD-ENGLISH PERIOD (450-1050)
I. OUR FIRST POETRY
BEOWULF. Here is the story of Beowulf, the earliest and the greatest epic, or heroic poem, in our literature. It begins with a prologue, which is not an essential part of the story, but which we review gladly for the sake of the splendid poetical conception that produced Scyld, king of the Spear Danes.[2]
At a time when the Spear Danes were without a king, a ship came sailing into their harbor. It was filled with treasures and weapons of war; and in the midst of these warlike things was a baby sleeping. No man sailed the ship; it came of itself, bringing the child, whose name was Scyld.
Now Scyld grew and became a mighty warrior, and led the Spear Danes for many years, and was their king. When his son Beowulf[3] had become strong and wise enough to rule, then Wyrd (Fate), who speaks but once to any man, came and stood at hand; and it was time for Scyld to go. This is how they buried him:
Then Scyld departed, at word of Wyrd spoken, The hero to go to the home of the gods. Sadly they bore him to brink of the ocean, Comrades, still heeding his word of command. There rode in the harbor the prince's ship, ready, With prow curving proudly and shining sails set. Shipward they bore him, their hero beloved; The mighty they laid at the foot of the mast. Treasures were there from far and near gathered, Byrnies of battle, armor and swords; Never a keel sailed out of a harbor So splendidly tricked with the trappings of war. They heaped on his bosom a hoard of bright jewels To fare with him forth on the flood's great breast. No less gift they gave than the Unknown provided, When alone, as a child, he came in from the mere. High o'er his head waved a bright golden standard-- Now let the waves bear their wealth to the holm. Sad-souled they gave back its gift to the ocean, Mournful their mood as he sailed out to sea.[4]
"And no man," says the poet, "neither counselor nor hero, can tell who received that lading."
One of Scyld's descendants was Hrothgar, king of the Danes; and with him the story of our Beowulf begins. Hrothgar in his old age had built near the sea a mead hall called Heorot, the most splendid hall in the whole world, where the king and his thanes gathered nightly to feast and to listen to the songs of his gleemen. One night, as they were all sleeping, a frightful monster, Grendel, broke into the hall, killed thirty of the sleeping warriors, and carried off their bodies to devour them in his lair under the sea. The appalling visit was