Eight Strokes of the Clock | Page 4

Maurice LeBlanc
indeed, and had to be confined. This made it impossible for you to obtain a divorce and compelled you, since your dowry had been squandered, to live with your uncle and at his expense. It's a depressing environment. The count and countess do not agree. Years ago, the count was deserted by his first wife, who ran away with the countess' first husband. The abandoned husband and wife decided out of spite to unite their fortunes, but found nothing but disappointment and ill-will in this second marriage. And you suffer the consequences. They lead a monotonous, narrow, lonely life for eleven months or more out of the year. One day, you met M. Rossigny, who fell in love with you and suggested an elopement. You did not care for him. But you were bored, your youth was being wasted, you longed for the unexpected, for adventure ... in a word, you accepted with the very definite intention of keeping your admirer at arm's length, but also with the rather ingenuous hope that the scandal would force your uncle's hand and make him account for his trusteeship and assure you of an independent existence. That is how you stand. At present you have to choose between placing yourself in M. Rossigny's hands ... or trusting yourself to me."
She raised her eyes to his. What did he mean? What was the purport of this offer which he made so seriously, like a friend who asks nothing but to prove his devotion?
After a moment's silence, he took the two horses by the bridle and tied them up. Then he examined the heavy gates, each of which was strengthened by two planks nailed cross-wise. An electoral poster, dated twenty years earlier, showed that no one had entered the domain since that time.
Rénine tore up one of the iron posts which supported a railing that ran round the crescent and used it as a lever. The rotten planks gave way. One of them uncovered the lock, which he attacked with a big knife, containing a number of blades and implements. A minute later, the gate opened on a waste of bracken which led up to a long, dilapidated building, with a turret at each corner and a sort of a belvedere, built on a taller tower, in the middle.
The Prince turned to Hortense:
"You are in no hurry," he said. "You will form your decision this evening; and, if M. Rossigny succeeds in persuading you for the second time, I give you my word of honour that I shall not cross your path. Until then, grant me the privilege of your company. We made up our minds yesterday to inspect the chateau. Let us do so. Will you? It is as good a way as any of passing the time and I have a notion that it will not be uninteresting."
He had a way of talking which compelled obedience. He seemed to be commanding and entreating at the same time. Hortense did not even seek to shake off the enervation into which her will was slowly sinking. She followed him to a half-demolished flight of steps at the top of which was a door likewise strengthened by planks nailed in the form of a cross.
Rénine went to work in the same way as before. They entered a spacious hall paved with white and black flagstones, furnished with old sideboards and choir-stalls and adorned with a carved escutcheon which displayed the remains of armorial bearings, representing an eagle standing on a block of stone, all half-hidden behind a veil of cobwebs which hung down over a pair of folding-doors.
"The door of the drawing-room, evidently," said Rénine.
He found this more difficult to open; and it was only by repeatedly charging it with his shoulder that he was able to move one of the doors.
Hortense had not spoken a word. She watched not without surprise this series of forcible entries, which were accomplished with a really masterly skill. He guessed her thoughts and, turning round, said in a serious voice:
"It's child's-play to me. I was a locksmith once."
She seized his arm and whispered:
"Listen!"
"To what?" he asked.
She increased the pressure of her hand, to demand silence. The next moment, he murmured:
"It's really very strange."
"Listen, listen!" Hortense repeated, in bewilderment. "Can it be possible?"
They heard, not far from where they were standing, a sharp sound, the sound of a light tap recurring at regular intervals; and they had only to listen attentively to recognise the ticking of a clock. Yes, it was this and nothing else that broke the profound silence of the dark room; it was indeed the deliberate ticking, rhythmical as the beat of a metronome, produced by a heavy brass pendulum. That was it! And nothing could be more impressive than the measured pulsation of this trivial mechanism,
Continue reading on your phone by scaning this QR Code

 / 80
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.