appears to be probably on an historical basis. Tahutia was a well-known officer of Tahutmes III.; and the splendid embossed dish of weighty gold which the king presented to him is one of the principal treasures of the Louvre museum. It is ornamented with groups of fish in the flat bottom, and a long inscription around the side.
Unfortunately the earlier part of this tale has been lost; but in order to render it intelligible I have restored an opening to it, without introducing any details but what are alluded to, or necessitated, by the existing story. The original text begins at the star.
It is evident that the basis of the tale is the stratagem of the Egyptian general, offering to make friends with the rebel of Joppa, while he sought to trap him. To a Western soldier such an unblushing offer of being treacherous to his master the king would be enough to make the good faith of his proposals to the enemy very doubtful. But in the East offers of wholesale desertion are not rare. In Greek history it was quite an open question whether Athens or Persia would retain a general's service; in Byzantine history a commander might be in favour with the Khalif one year and with the Autokrator the next; and in the present century the entire transfer of the Turkish fleet to Mohammed Ali in 1840 is a grand instance of such a case.
The scheme of taking a fortress by means of smuggling in soldiers hidden in packages has often recurred in history; but this taking of Joppa is the oldest tale of the kind yet known. Following this we have the wooden horse of Troy. Then comes in mediaeval times the Arab scheme for taking Edessa, in 1038 A.D., by a train of five hundred camels bearing presents for the Autokrator at Constantinople. The governor of Edessa declined to admit such travellers, and a bystander, hearing some talking in the baskets slung on the camels, soon gave the alarm, which led to the destruction of the whole party; the chief alone, less hands, ears, and nose, being left to take the tale back to Bagdad. And in fiction there are the stories of a lady avenging her husband by introducing men hidden in skins, and the best known version of all in the "Arabian Nights," of Ali Baba and the thieves.
It appears from the tale that the conference of Tahutia with the rebel took place between the town and the Egyptian army, but near the town. Then Tahutia proposes to go into the town as a pledge of his sincerity, while the men of the town were to supply his troops with fodder. But he appears to have remained talking with the rebel in the tent, until the lucky chance of the stick turned up. This cleared the way for a neater management of his plan, by enabling him to quietly make away with the chief, without exciting his suspicions beforehand.
The name of the cane of the king is partly illegible; but we know how many actual sticks and personal objects have their own names inscribed on them. Nothing had a real entity to the Egyptian mind without an individual name belonging to it.
The message sent by the charioteer presupposes that he was in the secret; and he must therefore have been an Egyptian who had not heartily joined in the rebellion. From the conclusion we see that the captives taken as slaves to Egypt were by no means only prisoners of war, but were the ordinary civil inhabitants of the conquered cities, "them of the city, both small and great."
The gold dish which the king gave to the tomb of Tahuti is so splendid that it deserves some notice, especially as it has never been published in England. It is circular, about seven inches across, with vertical sides an inch high. The inside of the bottom bears a boss and rosette in the centre, a line of swimming fish around that, and beyond all a chain of lotus flowers. On the upright edge is an incised inscription, "Given in praise by the king of Upper and Lower Egypt, _Ra-men-kheper,_ to the hereditary chief, the divine father, the beloved by God, filling the heart of the king in all foreign lands and in the isles in the midst of the great sea, filling stores with lazuli, electrum, and gold, keeper of all foreign lands, keeper of the troops, praised by the good gold lord of both lands and his _ka,--_the royal scribe Tahuti deceased." This splendid piece of gold work was therefore given in honour of Tahuti at his funeral, to be placed in his tomb for the use of his _ka._ The weight of it is very nearly a troy pound, being 5,729
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.