Egyptian Tales, 1st series | Page 9

came to be the usual expression in all ordaining of offerings.
We are so accustomed to think of tedium as something modern, that it seems strange to find in the oldest tales [Page 16] in the world how the first king of whom we know anything was bored by his pleasures. A reward for discovering a new pleasure is the very basis of the tale of Sneferu; and the wise man's remedy of a day in the country is still the best resource, though all that we know as human history has tried its experiments in enjoyment since then. The flavour of the ballet thrown in, by the introduction of the damsels of the household clad in fishing nets, is not yet obsolete in modern amusements; and even in this century Muhammed Ali had resource to the same way of killing time, as he was rowed about by his harem, but on an artificial lake.
The use of two large oars for steering explains the detail of the story. The oars were one on each side of the stern, and were each managed by a steerer. From the tale we see that the steerer led the song of the rowers, and if the leader ceased, all that side of the boat ceased also.. The position of the lost jewel upon the hair shows that it was in a fillet set with inlaying, like that seen on early figures, such as Nefert at Medum, who wears a fillet of rosettes to retain the hair; and the position of the steering oar attached to a post, with the handle rising high in the air, explains how it could strike the fillet and displace the jewel.
The last tale is really double, a tale within a tale. It begins with the wonders done by Dedi, and then goes on with the [Page 22] history or the children about whom he prophesied to Khufu.
The village of Dedi was probably near Medum, as in the temple of Sneferu at Medum an offering was found presented by a worshipper to the gods of Ded-sneferu: hence the background which is here given for the scene of Hordedef leading old Dedi. The translation of "the designs of the dwelling of Tahuti" is not certain; but the passage seems to refer to some architectural plan which was desired for the pyramid.
The story of Rud-didet is remarkable historically. She is said to be wife of the priest of Ra, her children are sons of Ra, and they are the first three kings of the Vth dynasty, and supplanted the line of Khufu. This points to the Vth Dynasty having been a priestly usurpation; and on looking at its history we see two confirmations of this. The title "Son of Ra" is so common in most ages in Egypt that it is taken for granted, and is applied in lists to any second cartouche; but it is not found until well into the Vth Dynasty; the earlier kings were not descendants of Ra, and it is only on arriving at this dynasty, which claimed descent from Ra, through the wife of the priest of Ra, that we find the claim of each king to be a "son of Ra." Another confirmation of this priestly descent is the abundance of priesthoods established for the kings of the Vth Dynasty; a care which agrees with their having a priestly origin; while in the tale it is particularly said that they would build up the temples, furnish the altars with offerings, supply the tables of libations, and increase the religious endowments.
The names of the three children are a play upon the names of the first three kings of the Vth Dynasty. User-kaf is made into User-ref; Sahu-ra is written Sah-ra; and Kaka is Kaku; thus making allusions to their births. The comparison of the hair to true lapis lazuli seems very strange; but there is often a confusion between black aind blue in uneducated races, and azrak means either dark blue or green, or black, at present in Arabic. Lapis lazuli is brought in to the name of the queen of Ramessu VI., who was called "gold and lazuli," Nub-khesdeb; recalling the comparison here of personal beauty to these precious materials.
It is noticeable here that in a tale of the Vth Dynasty, certainly written as early as the XIIth Dynasty, we find professional dancers commonly recognised, and going on travels through the country, with a porter.
From this tale we also learn that Egyptian women underwent a purification of fourteen days, during which they kept apart and did not attend to any household matters. The mistress of the house here inquires if the preparations are made for the feast on her return to household affairs; and hears then how the beer cannot be made for lack of the