Edmond Dantès | Page 8

scrawled in strange, bewildering Semitic characters.
The Count showed but small trace of the passage of years; he did not look much older than when he left the Isle of Monte-Cristo with Haydée on that voyage which was destined to result so disastrously for the Alcyon and her ill-fated crew. To be sure, his hair was slightly flecked with gray, but his visage still retained its full outline, and not a wrinkle marred its masculine beauty. He was clad in an exceedingly picturesque costume, half Greek and half Turkish, while upon his head was a red fez from the centre of which hung down a gilt tassel.
As he wrote his eyes sparkled and he seemed filled with enthusiasm. At length he threw aside his pen, and rising began to pace the vast apartment with long strides. "Alas!" he muttered, "perhaps after all I am only a vain dreamer, as hosts of others have been before me. But no, my scheme is feasible and cannot fail; it is based on sound principles and a thorough knowledge of mankind; besides, the immense wealth that an all-wise God has placed at my disposal will aid me and form a mighty factor in the cause. In the past I used that wealth solely for my own selfish ends, but now all is different; I have no thought of self--the philanthropist has replaced the egotist; I have aided the poor, relieved the stricken and brought joy to many a sorrowing home, but hitherto I have acted only in isolated cases; now I meditate a grand, a sublime stroke--to give freedom to man throughout the entire length and breadth of the Continent of Europe. If I succeed, and succeed I must, every down-trodden human being from the coast of France to the Ural Mountains, from the sunny Mediterranean to the frozen Arctic Ocean, will reap the benefit of my efforts and shake off the yoke of tyranny. Where shall I begin? Ah! with France, my own country, the land that gave me birth. I shall thus return good for evil, and Edmond Dantès, the prisoner of the Chateau d'If, will free the masses from their galling chains. My most potent instrument will be the public press; by means of journals I will found, or buy, the minds of all Europeans shall become familiarized with the theory of universal liberty and ripened for sweeping revolutions and the establishment of republics; I will also call fiction to my aid; struggling novelists and feuilletonists shall receive liberal subsidies from my hand on condition that they disseminate my ideas, theories and plans in their romances and feuilletons; thus will I reach thousands upon thousands who hold themselves aloof from politics, and almost insensibly they will be transformed into zealous, active partisans of the order of things that is to be; poets, too, shall sing the praises of freedom louder and more enthusiastically than ever before; in fine, no instrument, no means, however humble and apparently insignificant, shall be neglected when the proper moment arrives, but until it does arrive I must wait, wait patiently, wait though while waiting an internal fire consume me, and my veins throb with anxiety and expectation to the point of bursting."
He sank into a chair, and, burying his face in his hands, was lost in profound thought.
Meanwhile, a lovely woman, leading a beautiful girl of eight years and a handsome boy of nine, had noiselessly entered the apartment. It was Haydée, the wife of Monte-Cristo, Haydée grown mature and more beautiful than ever. Her night-black tresses were gathered in two wide braids at the back of her shapely head, so long that they reached below her waist. Her eyes were as bright as stars, and her slender hands, tipped with their pink nails, as white as the lily; her tiny feet, encased in Cinderella slippers of rose-hued satin, peeped out from beneath ample Turkish trousers, which were semi-transparent and disclosed the outlines of her beautifully turned limbs; she wore a close-fitting gilet of pearly silk, adorned with gilt fringe and cut low, displaying her snowy neck and magnificent shoulders; her arms were encompassed but not hidden by flowing sleeves of filmy gauze as fine as the tissue of a spider's web; about her neck flashed a collar of brilliant diamonds of enormous value, and on her tapering fingers were rings of emerald, ruby and sapphire; on her head was a red fez, precisely similar to her husband's; her countenance, a perfect revelation of angelic beauty, was wreathed in sunny smiles that betokened thorough happiness and contentment.
The little girl, Zuleika, the daughter of Monte-Cristo, was her exact image, a reproduction of her lovely mother in miniature, a promise of rare delight for the future. The child's costume was also modeled after Haydée's, but with modifications suited to