East of Paris | Page 4

carried out.
The Loing canal joins the Seine at Saint Mammes, a few kilomètres lower down, continuing its course of thirty kilomètres to Bleneau in the Nièvre. Canal life in Eastern France is a characteristic feature, the whole region being intersected by a network of waterways, those chemins qui marchent, or walking roads as Michelet picturesquely calls them. And strolling on the banks of the canal here you may be startled by an astonishing sight, you see folks walking, or apparently walking, on water. Standing bolt upright on a tiny raft, carefully maintaining their balance, country people are towed from one side to the other.
These suburban and riverside quarters are full of charm. The soft reds and browns of the houses, the old-world architecture and romantic sites, tempt an artist at every turn. And all in love with a Venetian existence may here find it nearer home.
A few villas let furnished during the summer months have little lawns winding down to the water's edge and a boat moored alongside. Thus their happy inmates can spend hot, lazy days on the river.
Turning our backs on the canal, by way of ivy-mantled walls, ancient mills and tumbledown houses, we reach the Porte du Pont or Gate of the Bridge. With other towns of the period, Moret was fortified. The girdle of walls is broken and dilapidated, whilst firm as when erected in the fourteenth century still stand the city gates.
Of the two the Porte du Pont is the least imposing and ornamental, but it possesses a horrifying interest. In an upper storey is preserved one of those man-cages said to have been invented for the gratification of Louis XI, that strange tyrant to whose ears were equally acceptable the shrieks of his tortured victims and the apt repartee of ready-witted subjects.
"How much do you earn a day?" he once asked a little scullion, as incognito he entered the royal kitchen.
"By God's grace as much as the King," replied the lad; "I earn my bread and he can do no more."
So pleased was the King with this saying that it made the speaker's fortune.
We climb two flights of dark, narrow stone stairs reaching a bare chamber having small apertures, enlargements of the mere slits formerly admitting light and air. The man-cage occupies one corner. It is made of stout oaken ribs strongly bound together with iron, its proportions just allowing the captive to lie down at full length and take a turn of two or three steps. De Commines tells us that the cage invented by Cardinal Balue, and in which he languished for eleven years, was narrower still. An average sized man could not stand therein upright.
The bolts and bars are still in perfect order. Nothing more brings home to us the abomination of the whole thing than to see the official draw these Brobdingnagian bolts and turn these gigantic keys. The locksmith's art was but too well understood in those days. By whom and for whom this living tomb was made or brought hither local records do not say.
From a stage higher up a magnificent panorama is obtained, Moret, old and new, set round with the green and the blue, its greenery and bright river, far away its noble aqueduct, further still looking eastward the valley of the Loing spread out as a map, the dark ramparts of Fontainebleau forest half framing the scene.
The town itself is a trifle unsavoury and unswept. Municipal authorities seem particularly stingy in the matter of brooms, brushes and water-carts. Such little disagreeables must not prevent the traveller from exploring every corner. But the real, the primary attraction of Moret lies less in its historic monuments and antiquated streets than in its chemins qui marchent, its ever reposeful water-ways. Like most French towns Moret is linked with English history. Its fine old church was consecrated by Thomas à-Becket in 1166. Three hundred years later the town was taken by Henry V., and re-taken by Charles VII. a decade after. Not long since five hundred skulls supposed to have been those of English prisoners were unearthed here; as they were all found massed together, the theory is that the entire number had surrendered and been summarily decapitated, methods of warfare that have apparently found advocates in our own day.
Most visitors to Paris will have had pointed out to them the so-called "Maison Fran?ois Premier" on the Cour La Reine. This richly ornate and graceful specimen of Renaissance architecture formerly stood at Moret, and bit by bit was removed to the capital in 1820. A spiral stone staircase and several fragments of heraldic sculpture were left behind. Badly placed as the house was here, it seems a thousand pities that Moret should have thus been robbed of an architectural gem Paris could well have spared.
My first stay at Moret