Early Reviews of English Poets | Page 3

resident of London, established the Universal Historical Bibliothèque; or, an Account of most of the Considerable Books printed in All Languages, which was continued by various hands until 1693 in a series of twenty-five quarto volumes. Contemporary with this review was a number of similar publications which had for the most part a brief existence. Among them was the Athenian Mercury, published on Tuesdays and Saturdays (1691-1696), the History of Learning, which appeared for a short time in 1691 and again in 1694; Works of the Learned (1691-92); the Young Student's Library (1692) and its continuation, the Compleat Library (1692-94); Memoirs for the Ingenious (1693); the Universal Mercury (1694) and Miscellaneous Letters, etc. (1694-96). Samuel Parkes includes among the reviews of this period Sir Thomas Pope Blount's remarkable Censura Celebrium Authorum (1690). That popular bibliographical dictionary of criticism (reprinted 1694, 1710 and 1718) is only remembered now for its omission of Shakespeare, Spenser, Jonson and Milton from its list of "celebrated authors." Neither that volume nor the same author's De Re Poetica (1694) finds a proper place in a list of periodicals. They should be grouped with such works as Phillips' Theatrum Poetarum (1675) and Langbaine's Account of the English Dramatic Poets (1691) among the more deliberate attempts at literary criticism.
Between 1692-94 appeared the Gentleman's Journal; or, the Monthly Miscellany. Consisting of News, History, Philosophy, Poetry, Music, Translations, etc. This noteworthy paper, edited by Peter Anthony Motteux while he was translating Rabelais, included among its contributors Aphra Behn, Oldmixon, Dennis, D'Urfey and others. In many ways it anticipated the plan of the Gentleman's Magazine (1731), which has usually been accorded the honor of priority among English literary magazines. The History of the Works of the Learned; or, an Impartial Account of Books lately printed in all Parts of Europe was begun in 1699 and succumbed after the publication of its thirteenth volume (1711). Among its editors was George Ridpath, who was afterwards immortalized in Pope's Dunciad. The careers of the Monthly Miscellany (1707-09) and Censura Temporum (1709-10) were brief. About the same time an extensive series of periodicals was begun by a Huguenot refugee, Michael De la Roche, who fled to England after the revocation of the Edict of Nantes and became an Episcopalian. After several years of hack-work for the booksellers, he published (1710) the first numbers of his Memoirs of Literature, containing a Weekly Account of the State of Learning at Home and Abroad, which he continued until 1714 and for a few months in 1717. In the latter year he began at Amsterdam his Bibliothèque Angloise (1717-27), continued by his Memoires Littéraires de la Grande Bretagne (1720-1724) after the editorship of the former had been placed in other hands on account of his pronounced anti-Calvinistic views. At Amsterdam, Daniel Le Clerc, a brother of the Jean Le Clerc already mentioned, published his Bibliothèque Choisée (1703-14) and his Bibliothèque Ancienne et Moderne (1714-28). Both of these periodicals suggested numerous ideas to De la Roche, who returned to London and conducted the New Memoirs of Literature (1725-27). His last venture was a Literary Journal, or a Continuation of the Memoirs of Literature, which lasted about a year.
Contemporary with De la Roche, Samuel Jebb conducted Bibliotheca Literaria (1722-24), dealing with "inscriptions, medals, dissertations, etc." In 1728 Andrew Reid began the Present State of the Republick of Letters, which reached its eighteenth volume in 1736. It was then incorporated with the Literary Magazine; or the History of the Works of the Learned (1735-36) and the joint periodical was henceforth published as a History of the Works of the Learned until 1743. Other less extensive literary journals of the same period were Archibald Bower's Historia Literaria (1730-34); the Bee; or, Universal Weekly Pamphlet (1733-35), edited by Addison's cousin, Eustace Budgell; the British Librarian, exhibiting a Compendious Review or Abstract of our most Scarce, Useful and Valuable Books, etc., published anonymously by the antiquarian William Oldys, from January to June, 1737, and much esteemed by modern bibliophiles as a pioneer and a curiosity of its kind; a Literary Journal (1744-49) published at Dublin; and, finally, the Museum; or the Literary and Historical Register. This interesting periodical printed essays, poems and reviews by such contributors as Spence, Horace Walpole, the brothers Warton, Akenside, Lowth and others. It was published fortnightly from March, 1746 to September, 1747, making three octavo volumes.
The periodicals enumerated thus far can hardly be regarded as literary in the modern acceptation of the term; they were, for the most part, ponderous, learned and scientific in character, and, with the exception of the Gentleman's Journal and Dodsley's Museum, rarely ventured into the domain of belles-lettres. An occasional erudite dissertation on classical poetry or on the French canons of taste suggested a literary intent, but the bulk of the journals was supplied by