Dutch Life in Town and Country | Page 7

said of her, though as yet her 'horsiness' has not become an absorbing passion, nor is it likely to be.
It is said also that she abhors music; but as long as she, as Queen, does not transfer her abhorrence from the art to the artists, no harm will be done. The facts are that, simple as her tastes are, she does not impose her simplicity upon others. When she presides at State dinners or at Court dinners, she is entirely the grande dame, but when she is allowed to be wholly herself, in a small, quiet circle, she is praised by every one, low or high, who has been favoured with an invitation to the royal table, for her natural and unaffected manners, her urbanity, and her gentle courtesy.

Chapter III
The Professional Classes

The professional classes of Holland show their characteristics best in the social circle in which they move and find their most congenial companionships. Imagine, then, that we are the guests of the charming wife of a successful counsel ('advocaat en procureur')--Mr. Walraven, let us call him--settled in a large and prosperous provincial town. She is a typical Dutch lady, with bright complexion, kind, clear blue eyes, rather dark eyebrows, which give a piquant air to the white and pink of the face, and a mass of fair golden hair, simply but tastefully arranged, leaving the ears free, and adorning but not hiding the comely shape of the head. She wears a dark-brown silk dress, covered with fine Brussels lace around the neck, at the wrists, along the bodice, and here and there on the skirt. A few rings glitter on her fingers, and her hands are constantly busy with a piece of point lace embroidery; for many Dutch ladies cannot stand an evening without the companionship of a 'handwerkje,' as fancy-needlework is called. It does not in the least interfere with their conversational duties. She is rather tall. Dutch men and women seem to have all sizes equally distributed amongst them; it cannot be said that they are a short people, like the French and the Belgians, nor can the indication of middle size be so rightly applied to them as to their German neighbours, whereas the taller Anglo-Saxons can frequently find their match in the Netherlands.
The room in which we are seated is furnished in so-called 'old Dutch style.' My friend and his wife have collected fine old wainscots, sideboards and cupboards of richly carved oak in Friesland and in the Flemish parts of Belgium. Their tables and chairs are all of the same material and artistically cut. A very dark, greenish-grey paper covers the walls; the curtains, the carpet, and the doors are in the same slightly sombre shades. Venetian mirrors, Delft, Chinese and Rouen china plates, arranged along the walls, over the carved oak bench, and on the over-mantel, make delightful patches of bright colour in the room, and the easy-chairs are as stylish as they are comfortable.
Our visit has fallen in the late autumn, and the gas burns bnghtly in the bronze chandelier, while the fire in the old-fashioned circulating stove, a rare specimen of ancient Flemish design, makes the room look cosy and hospitable. For the moment our friend the lawyer is absent. He has been called away to his study, for a client has come to see him on urgent business, and we are left in the gracious society of his wife in the comfortable sitting-room. On the table the Japan tray, with its silver teapot, sugar-basin, milk-jug and spoon-box of mother-of-pearl and crystal, and its dark-blue real China cups and saucers, enjoys the company of two silver boxes, on silver trays, full of all sorts of 'koekjes' (sweet biscuits). Many Dutch families like to take a 'koekje' with their tea, tea-time falling in Holland between 7 and 8 o'clock, half-way between dinner at 5 or 6 p.m. and supper at 10 or 11 p.m. A cigar-stand is not wanting, nor yet dainty ash-trays; while by the side of our hostess is an old-fashioned brass 'komfoor,' or chafer,[Footnote: Komfoor (or _kaffoor_) and chafer are etymologically the same word, derived from the Latin califacere. The French member of the family is chauffoir.] on a high foot, so that within easy reach of the lady's hand is the handle of the brass kettle, in which the 'theewater' is boiling.
Conversation turns from politics and literature to the ball to which my hostess, her husband, and we as their guests have been invited at a friend's house. She intends to go earlier; he and we are to follow later in the evening, for that evening his 'Krans' is to meet at his house, and it will keep us till eleven o'clock. A 'Krans' is simply a small company of very good friends who meet, as a rule,