Dreamthorp | Page 3

Alexander Smith
Sussex ones in the fat valley. And think, once more, every spear of grass in England she has touched with a livelier green; the crest of every bird she has burnished; every old wall between the four seas has received her mossy and licheny attentions; every nook in every forest she has sown with pale flowers, every marsh she has dashed with the fires of the marigold. And in the wonderful night the moon knows, she hangs--the planet on which so many millions of us fight, and sin, and agonise, and die--a sphere of glow-worm light.
Having discoursed so long about Dreamthorp, it is but fair that I should now introduce you to her lions. These are, for the most part, of a commonplace kind; and I am afraid that, if you wish to find romance in them, you must bring it with you. I might speak of the old church-tower, or of the church-yard beneath it, in which the village holds its dead, each resting-place marked by a simple stone, on which is inscribed the name and age of the sleeper, and a Scripture text beneath, in which live our hopes of immortality. But, on the whole, perhaps it will be better to begin with the canal, which wears on its olive-coloured face the big white water-lily already chronicled. Such a secluded place is Dreamthorp that the railway does not come near, and the canal is the only thing that connects it with the world. It stands high, and from it the undulating country may be seen stretching away into the gray of distance, with hills and woods, and stains of smoke which mark the sites of villages. Every now and then a horse comes staggering along the towing-path, trailing a sleepy barge filled with merchandise. A quiet, indolent life these bargemen lead in the summer days. One lies stretched at his length on the sun-heated plank; his comrade sits smoking in the little dog-hutch, which I suppose he calls a cabin. Silently they come and go; silently the wooden bridge lifts to let them through. The horse stops at the bridge-house for a drink, and there I like to talk a little with the men. They serve instead of a newspaper, and retail with great willingness the news they have picked up in their progress from town to town. I am told they sometimes marvel who the old gentleman is who accosts them from beneath a huge umbrella in the sun, and that they think him either very wise or very foolish. Not in the least unnatural! We are great friends, I believe--evidence of which they occasionally exhibit by requesting me to disburse a trifle for drink-money. This canal is a great haunt of mine of an evening. The water hardly invites one to bathe in it, and a delicate stomach might suspect the flavour of the eels caught therein; yet, to my thinking, it is not in the least destitute of beauty. A barge trailing up through it in the sunset is a pretty sight; and the heavenly crimsons and purples sleep quite lovingly upon its glossy ripples. Nor does the evening star disdain it, for as I walk along I see it mirrored therein as clearly as in the waters of the Mediterranean itself.
The old castle and chapel already alluded to are, perhaps, to a stranger, the points of attraction in Dreamthorp. Back from the houses is the lake, on the green sloping banks of which, with broken windows and tombs, the ruins stand. As it is noon, and the weather is warm, let us go and sit on a turret. Here, on these very steps, as old ballads tell, a queen sat once, day after day, looking southward for the light of returning spears. I bethink me that yesterday, no further gone, I went to visit a consumptive shoemaker; seated here I can single out his very house, nay, the very window of the room in which he is lying. On that straw roof might the raven alight, and flap his sable wings. There, at this moment, is the supreme tragedy being enacted. A woman is weeping there, and little children are looking on with a sore bewilderment. Before nightfall the poor peaked face of the bowed artisan will have gathered its ineffable peace, and the widow will be led away from the bedside by the tenderness of neighbours, and the cries of the orphan brood will be stilled. And yet this present indubitable suffering and loss does not touch me like the sorrow of the woman of the ballad, the phantom probably of a minstrel's brain. The shoemaker will be forgotten--I shall be forgotten; and long after, visitors will sit here and look out on the landscape and murmur the simple lines. But why do
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