Dream Life | Page 2

Donald G. Mitchell
carry little tablets with him into the country, and whenever he saw a scene specially picturesque,--a cottage of marked features, a noticeable tree, any picture, in short, which promised service to him,--to note down its distinguishing points, and hold it in reserve.
"This," said he, "is one among those small arts and industries which a person who writes much must avail himself of: they are equivalent to the little thumb-sketches from which a painter makes up his larger compositions."
On our way to the church on a certain Sunday morning, he tapped my shoulder as we entered the little gate, and called my attention to a lithe young Indian girl, who had strolled down from the campment on the plains, and was standing proudly erect upon the church-porch, with finger to her lips, scanning curiously the worshippers as they passed in.
"What a splendid figure of a woman!" said he, "she is puzzling over the extravagances and devotions of the white-faces."
The black, straight elf-locks, the swart face, the great wondering eye, with the gay blanket, short gown of woollen-stuff, and brilliant moccasins, made a striking picture to be sure; and I could not help thinking, that if the apparition had chanced upon him earlier, she might have figured in some story of Pokanoket or of the Prairies.
I took occasion one morning to ask if he was always able to control the "humors of writing," and to put himself resolutely to work, whatever might be the state of his feeling.
"No," he said, very decidedly,--"unfortunately I cannot: there are men who do, I believe. I always envied them; but there was a period of a month or more, after I had finally decided upon literary labors, and had declined a lucrative position under Government, when it seemed as if I was utterly bereft of all the fancies I ever had; for weeks I could do nothing; but at last the clouds lifted, and I wrote off the first numbers of the 'Sketch-Book,' and dispatched them to my good friends in this country, to make the most of. I feared it would not be much.
"And the worst of it is," continued he, "the good people do not allow for these periods of depression; if a man does a thing tolerably well in his happy moods, they see no reason why he should not be always in a happy mood."
I asked if he had never found relief, and a stimulant to work, in the reading aloud of some favorite old author.
"Often," said he; "and none are more effective with me for this service than the sacred writers; I think I have waked a good many sleeping fancies by the reading of a chapter in Isaiah."
In answer to inquiries of mine in regard to the incomplete state of several of the stories of "Wolfert's Roost," he said: "Yes, we do not get through all we lay out. Some of those sketches had lain in my mind for a great many years; they made a sort of garret-trumpery, of which I thought I would make a general clearance, leaving the odds and ends to take care of themselves.
"There was a novel too, I once laid out, in which an English lad, being a son of one of the old Regicide Judges, was to come over to New England in search of his father: he was to meet with a throng of adventures, and to arrive at length upon a Saturday night, in the midst of a terrible thunder-storm, at the house of a stern old Massachusetts Puritan, who comes out to answer to the rappings; and by a flash of lightning which gleams upon the harsh, iron visage of the old man, the son fancies he recognizes his father."
And as he told it, the old gentleman wrinkled his brow, and tried to put on the fierce look he would describe.
"It's all there is of it," said he. "If you want to make a story, you can furbish it up."
There were among other notable people at Saratoga, during the summer of which I speak, the well-known Mrs. Dr. R----, of Philadelphia, since deceased,--a woman of great eccentricities, but of a wonderfully masculine mind, and of great cultivation. It was a fancy of hers to give special, social patronage to foreign artists; and among those just then at Saratoga, and the recipients of her favor, were a distinguished violinist--whose name I do not now recall--and the newly married Mme. Alboni. Mr. Irving, in common with her other acquaintances, she was inclined to make contributory to her attentions. To this Mr. Irving was not averse, both from his extreme love of music, and his kindliness toward the artists themselves; yet, in his own quiet way, I think he fretted considerably at being pounced upon at odd hours to give them French talk.
"It's
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