to efface the evil which they may have suffered from these looks.
It ought to have been mentioned, that before any thing is done, they place an image of Pullian under the puntel. This god is much honored because he is much feared. And although the great ugliness of his appearance has hitherto kept him without a wife, they never fail to pay him the greatest attention, lest he should in some way or other injure them.
After arati and many other ceremonies are performed, the kankanan, which is merely a bit of saffron, is tied to the right wrist of the young man, and to the left wrist of the girl. This is done with great solemnity. Another remarkable ceremony succeeds this. The young man being seated with his face towards the east, his future father-in-law supposes that he beholds in him the great Vrishnoo. With this impression, he offers him a sacrifice, and then, making him put both of his feet in a new dish filled with cow-dung, he first washes them with water, then with milk, and again with water, accompanying the whole with suitable muntrums or prayers.
After many other ceremonies, he takes the hand of his daughter and puts it into that of his son-in-law. He then pours water over them in honor of Vrishnoo. This is the most solemn of all the ceremonies, being the token of his resigning his daughter to the authority of the young man. She must be accompanied with three gifts, namely, one or more cows, some property in land, and a _salagrama_, which consists of some little amulet stones in high esteem among the Brahmins. This ceremony being finished, the tahly is brought to be fastened to the neck of the bride. This, as I before said, is presented on a salver, decked and garnished with sweet-smelling flowers. Incense is offered to it, and it is presented to the assistants each of whom touches it and invokes blessings upon it. The bride then turning towards the East, the bridegroom takes the tahly, repeats a muntrum or prayer aloud, and ties it around her neck.
Fire is then brought in, upon which the bridegroom offers up the sacrifice of _homam_, which consists of throwing boiled rice with melted butter upon the fire. He then takes his bride by the hand, and they walk three times around it, while the incense is blazing.
There is another ceremony, which, perhaps, ought to be mentioned, as it is considered by some to be one of much importance. Two baskets of bamboo are placed close together, one for the bride, the other for the bridegroom. They step into them, and two other baskets being brought, filled with ground rice, the husband takes up one with both hands and pours the contents over the head of the bride. She does the same to him. In the marriage of great princes pearls are sometimes used instead of rice.
On the evening of the third day, when the constellations appear, the astrologer points out to the married pair a very small star, close to the middle or in the tail of _Ursa Major_, which he directs them to worship, and which he says is the wife of Vasestha.
While the assembled guests, are dining, the bridegroom and the bride also partake, and eat together from the same plate. This is a token of the closest union. This is the only instance in which they ever eat together.
After all the ceremonies are finished, a procession is made through the streets of the village It commonly takes place in the night, by torchlight, accompanied with fire-works. The newly married pair are seated in one palanquin with their faces towards each other, both richly dressed. The bride, in particular, is generally covered with jewels and precious stones.
The procession moves slowly; and their friends and relations come out of their houses, as they pass; the women hailing the married couple with the ceremony of _arati_, and the men with presents of silver, fruits, sugar, and betel. I once witnessed one of these marriage processions in the streets of Madras at night, but can give you but little idea of its magnificence. The lamps used on the occasion could not be numbered. The shrubbery, which was drawn on carts or other vehicles, appeared exceedingly beautiful, in consequence of the light reflected from the lamps. Intermingled with this shrubbery, were to be seen little girls elegantly dressed, and adorned with flowers on their heads. Many elephants, with their trappings of gold and silver and red, formed a part of the procession. Fire-works were also added to make the scene more brilliant.
CHAPTER V
.
DEATH AND FUNERALS OF THE HINDOOS.
My dear Children--The death of a Hindoo is followed by many ridiculous ceremonies. I will give you a description of a few, connected with
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