Dr. Faustus (newer edition) | Page 3

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From: Gary R. L. Young
Comments on the preparation of the E-Text:
ANGLE BRACKETS:
Any place where angle brackets are used, i.e.< >, it is a change made during the preparation of this E-Text. The original printed book did not use this character at all.
SQUARE BRACKETS:
The square brackets, i.e. [ ] are copied from the printed book, without change, except that the stage directions usually do not have closing brackets. These have been added.
FOOTNOTES:
For this E-Text version of the book, the footnotes have been consolidated at the end of the play.
Numbering of the footnotes has been changed, and each footnote is given a unique identity in the form.
CHANGES TO THE TEXT:
Character names were expanded. For Example, FAUSTUS was FAUST; SECOND SCHOLAR was SEC. SCHOL.
OTHER COMMENTS:
This E-Text of Doctor Faustus is taken from a volume of The Works of Christopher Marlowe. That volume also contains an earlier version of the play, based on the text of 1604, which is available as an E-Text. Some of the notes to the earlier version are applicable to, and help explain, this version.
This E-text was prepared by Gary R. Young using an IBM compatible 486-33 computer, a Hewlett Packard Scanjet IIP scanner, OmniPage Pro OCR software, and Microsoft Word software, Nov. 1996.

****Start of E-Text****

THE TRAGICAL HISTORY OF DOCTOR FAUSTUS BY CHRISTOPHER MARLOWE FROM THE QUARTO OF 1616.
EDITED BY THE REV. ALEXANDER DYCE.

The Tragicall History of the Life and Death of Doctor Faustus. Written by Ch. Mar. London, Printed for John Wright, and are to be sold at his shop without Newgate, at the signe of the Bible, 1616, 4to.
The Tragicall History of the Life and Death of Doctor Faustus. With new Additions. Written by Ch. Mar. Printed at London for John Wright, and are to be sold at his shop without Newgate, 1624, 4to.
The Tragicall Historie of the Life and Death of Doctor Faustus. With new Additions. Written by Ch. Mar. Printed at London for John Wright, and are to be sold at his shop without Newgate, 1631, 4to.
In a few places I have amended the text of this play by means of 4to 1604.--I have made no use of the comparatively modern edition, 4to 1663.

DRAMATIS PERSONAE.
THE POPE. THE EMPEROR OF GERMANY. RAYMOND, king of Hungary. DUKE OF SAXONY. BRUNO. DUKE OF VANHOLT. MARTINO, > FREDERICK, > gentlemen. BENVOLIO, > FAUSTUS. VALDES, > friends to FAUSTUS. CORNELIUS, > WAGNER, servant to FAUSTUS. Clown. ROBIN. DICK. Vintner. Horse-courser. Carter. An Old Man. Scholars, Cardinals, ARCHBISHOP OF RHEIMS, Bishops, Monks, Friars, Soldiers, and Attendants.
DUCHESS OF VANHOLT. Hostess.
LUCIFER. BELZEBUB. MEPHISTOPHILIS. Good Angel. Evil Angel. The Seven Deadly Sins. Devils. Spirits in the shapes of ALEXANDER THE GREAT, of his Paramour, of DARIUS, and of HELEN.
Chorus.

THE TRAGICAL HISTORY OF DOCTOR FAUSTUS FROM THE QUARTO OF 1616.
Enter CHORUS.
CHORUS. Not marching in the fields of Thrasymene, Where Mars did mate the warlike Carthagens;<1> Nor sporting in the dalliance of love, In courts of kings where state is overturn'd; Nor in the pomp of proud audacious deeds, Intends our Muse to vaunt her<2> heavenly verse: Only this, gentles,--we must now perform The form of Faustus' fortunes, good or bad: And now to patient judgments we appeal, And speak for Faustus in his infancy. Now is he born of parents base of stock, In Germany, within a town call'd Rhodes: At riper years, to Wittenberg he went, Whereas his kinsmen chiefly brought him up. So much he profits in divinity, That shortly he was grac'd with doctor's name, Excelling all, and sweetly can dispute In th' heavenly matters of theology; Till swoln with cunning, of<3> a self-conceit, His waxen wings did mount above his reach, And, melting, heavens conspir'd his overthrow; For, falling to a devilish exercise, And glutted now with learning's golden gifts, He surfeits upon<4> cursed necromancy; Nothing so sweet as magic is to him, Which he prefers before his chiefest bliss: And this the man that in his study sits. [Exit.]
FAUSTUS discovered in his study.
FAUSTUS. Settle thy studies, Faustus, and begin To sound the depth of that thou wilt profess: Having commenc'd, be a divine in show, Yet level at the end of every art, And live and die in Aristotle's works. Sweet Analytics, 'tis thou hast ravish'd me! Bene disserere est finis logices. Is, to dispute well, logic's chiefest end? Affords this art no greater miracle? Then read no more; thou hast attain'd that end: A greater subject