more than just a sick mind looking to twist the perceptions of those whose realities remain uncorrupted - though that should be enough recommendation to read his work. *Down and Out in the Magic Kingdom* is black comedic, sci-fi prophecy on the dangers of surrendering our consensual hallucination to the regime. Fun to read, but difficult to sleep afterwards.
Douglas Rushkoff Author of Cyberia and Media Virus!
#
"Wow! Disney imagineering meets nanotechnology, the reputation economy, and Ray Kurzweil's transhuman future. As much fun as Neal Stephenson's Snow Crash, and as packed with mind bending ideas about social changes cascading from the frontiers of science."
Tim O'Reilly Publisher and Founder, O'Reilly and Associates
#
Doctorow has created a rich and exciting vision of the future, and then wrote a page-turner of a story in it. I couldn't put the book down.
Bruce Schneier Author, Secrets and Lies
#
Cory Doctorow is one of our best new writers: smart, daring, savvy, entertaining, ambitious, plugged-in, and as good a guide to the wired world of the twenty-first century that stretches out before us as you're going to find.
Gardner Dozois Editor, Asimov's SF
#
Cory Doctorow's "Down and Out in the Magic Kingdom" tells a gripping, fast-paced story that hinges on thought-provoking extrapolation from today's technical realities. This is the sort of book that captures and defines the spirit of a turning point in human history when our tools remake ourselves and our world.
Mitch Kapor Founder, Lotus, Inc., co-founder Electronic Frontier Foundation
--
======================= A note about this book: =======================
"Down and Out in the Magic Kingdom" is my first novel. It's an actual, no-foolin' words-on-paper book, published by the good people at Tor Books in New York City. You can buy this book in stores or online, by following links like this one:
http://www.craphound.com/down/buy.php
So, what's with this file? Good question.
I'm releasing the entire text of this book as a free, freely redistributable e-book. You can download it, put it on a P2P net, put it on your site, email it to a friend, and, if you're addicted to dead trees, you can even print it.
Why am I doing this thing? Well, it's a long story, but to shorten it up: first-time novelists have a tough row to hoe. Our publishers don't have a lot of promotional budget to throw at unknown factors like us. Mostly, we rise and fall based on word-of-mouth. I'm not bad at word-of- mouth. I have a blog, Boing Boing (http://boingboing.net), where I do a *lot* of word-of-mouthing. I compulsively tell friends and strangers about things that I like.
And telling people about stuff I like is *way*, *way* easier if I can just send it to 'em. Way easier.
What's more, P2P nets kick all kinds of ass. Most of the books, music and movies ever released are not available for sale, anywhere in the world. In the brief time that P2P nets have flourished, the ad-hoc masses of the Internet have managed to put just about *everything* online. What's more, they've done it for cheaper than any other archiving/revival effort ever. I'm a stone infovore and this kinda Internet mishegas gives me a serious frisson of futurosity.
Yeah, there are legal problems. Yeah, it's hard to figure out how people are gonna make money doing it. Yeah, there is a lot of social upheaval and a serious threat to innovation, freedom, business, and whatnot. It's your basic end-of-the-world-as-we-know-it scenario, and as a science fiction writer, end-of-the-world-as-we-know-it scenaria are my stock-in- trade.
I'm especially grateful to my publisher, Tor Books (http://www.tor.com) and my editor, Patrick Nielsen Hayden (http://nielsenhayden.com/electrolite) for being hep enough to let me try out this experiment.
All that said, here's the deal: I'm releasing this book under a license developed by the Creative Commons project (http://creativecommons.org/). This is a project that lets people like me roll our own license agreements for the distribution of our creative work under terms similar to those employed by the Free/Open Source Software movement. It's a great project, and I'm proud to be a part of it.
Here's a summary of the license:
http://creativecommons.org/licenses/by-nd-nc/1.0
Attribution. The licensor permits others to copy, distribute, display, and perform the work. In return, licensees must give the original author credit.
No Derivative Works. The licensor permits others to copy, distribute, display and perform only unaltered copies of the work -- not derivative works based on it.
Noncommercial. The licensor permits others to copy, distribute, display, and perform the work. In return, licensees may not use the work for commercial purposes -- unless they get the licensor's permission.
And here's the license itself:
http://creativecommons.org/licenses/by-nd-nc/1.0-legalcode
THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS CREATIVE COMMONS PUBLIC LICENSE ("CCPL" OR "LICENSE"). THE WORK IS PROTECTED BY COPYRIGHT AND/OR OTHER APPLICABLE LAW. ANY USE OF THE WORK OTHER THAN AS AUTHORIZED UNDER THIS LICENSE IS PROHIBITED.
BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT AND AGREE TO BE BOUND
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