occupation of 
Toledo in 1085, and called by him San Servando after a Spanish martyr, 
a name subsequently modified into San Servan (in which form it 
appears in the "Poem of the Cid"), San Servantes, and San Cervantes: 
with regard to which last the "Handbook for Spain" warns its readers 
against the supposition that it has anything to do with the author of 
"Don Quixote." Ford, as all know who have taken him for a companion 
and counsellor on the roads of Spain, is seldom wrong in matters of 
literature or history. In this instance, however, he is in error. It has 
everything to do with the author of "Don Quixote," for it is in fact these 
old walls that have given to Spain the name she is proudest of to-day. 
Gonzalo, above mentioned, it may be readily conceived, did not relish 
the appropriation by his brother of a name to which he himself had an 
equal right, for though nominally taken from the castle, it was in reality 
derived from the ancient territorial possession of the family, and as a 
set-off, and to distinguish himself (diferenciarse) from his brother, he 
took as a surname the name of the castle on the bank of the Tagus, in 
the building of which, according to a family tradition, his 
great-grandfather had a share. 
Both brothers founded families. The Cervantes branch had more 
tenacity; it sent offshoots in various directions, Andalusia, Estremadura, 
Galicia, and Portugal, and produced a goodly line of men distinguished 
in the service of Church and State. Gonzalo himself, and apparently a
son of his, followed Ferdinand III in the great campaign of 1236-48 
that gave Cordova and Seville to Christian Spain and penned up the 
Moors in the kingdom of Granada, and his descendants intermarried 
with some of the noblest families of the Peninsula and numbered 
among them soldiers, magistrates, and Church dignitaries, including at 
least two cardinal-archbishops. 
Of the line that settled in Andalusia, Deigo de Cervantes, Commander 
of the Order of Santiago, married Juana Avellaneda, daughter of Juan 
Arias de Saavedra, and had several sons, of whom one was Gonzalo 
Gomez, Corregidor of Jerez and ancestor of the Mexican and 
Columbian branches of the family; and another, Juan, whose son 
Rodrigo married Dona Leonor de Cortinas, and by her had four 
children, Rodrigo, Andrea, Luisa, and Miguel, our author. 
The pedigree of Cervantes is not without its bearing on "Don Quixote." 
A man who could look back upon an ancestry of genuine knights-errant 
extending from well-nigh the time of Pelayo to the siege of Granada 
was likely to have a strong feeling on the subject of the sham chivalry 
of the romances. It gives a point, too, to what he says in more than one 
place about families that have once been great and have tapered away 
until they have come to nothing, like a pyramid. It was the case of his 
own. 
He was born at Alcala de Henares and baptised in the church of Santa 
Maria Mayor on the 9th of October, 1547. Of his boyhood and youth 
we know nothing, unless it be from the glimpse he gives us in the 
preface to his "Comedies" of himself as a boy looking on with delight 
while Lope de Rueda and his company set up their rude plank stage in 
the plaza and acted the rustic farces which he himself afterwards took 
as the model of his interludes. This first glimpse, however, is a 
significant one, for it shows the early development of that love of the 
drama which exercised such an influence on his life and seems to have 
grown stronger as he grew older, and of which this very preface, 
written only a few months before his death, is such a striking proof. He 
gives us to understand, too, that he was a great reader in his youth; but 
of this no assurance was needed, for the First Part of "Don Quixote"
alone proves a vast amount of miscellaneous reading, romances of 
chivalry, ballads, popular poetry, chronicles, for which he had no time 
or opportunity except in the first twenty years of his life; and his 
misquotations and mistakes in matters of detail are always, it may be 
noticed, those of a man recalling the reading of his boyhood. 
Other things besides the drama were in their infancy when Cervantes 
was a boy. The period of his boyhood was in every way a transition 
period for Spain. The old chivalrous Spain had passed away. The new 
Spain was the mightiest power the world had seen since the Roman 
Empire and it had not yet been called upon to pay the price of its 
greatness. By the policy of Ferdinand and Ximenez the sovereign had 
been made absolute, and the Church and Inquisition adroitly adjusted to 
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