Don Garcia of Navarre | Page 2

Bernard Linton, between the Temple Gate," which was itself partly borrowed from Shirley's Lady of Pleasure. The comedy was written by Mr. Charles Johnson, who "was originally bred to the law, and was a member of the Middle Temple; but being a great admirer of the Muses, and finding in himself a strong propensity to dramatic writing, he quitted the studious labour of the one, for the more spirited amusements of the other; and by contracting an intimacy with Mr. Wilks, found means, through that gentleman's interest, to get his plays on the stage without much difficulty ... he, by a polite and modest behaviour formed so extensive an acquaintance and intimacy, as constantly ensured him great emoluments on his benefit night by which means, being a man of economy, he was enabled to subsist very genteelly. He at length married a young widow, with a tolerable fortune; on which he set up a tavern in Bow Street, Covent Garden, but quitted business at his wife's death, and lived privately on an easy competence he had saved.... He was born in 1679 ... but he did not die till March 11, 1748." [Footnote: Biographia Dramatica, by Baker, Reed and Jones, 1812, Vol. I. Part i.]
The Masquerade is a clever comedy, rather free in language and thought, chiefly about the danger of gambling. Some of the sayings are very pointed. It has been stated that the author frequented the principal coffee-houses in town, and picked up many pungent remarks there; however this may be, the literary men who at the present time frequent clubs, have, I am afraid, not the same chance. As a specimen of free and easy--rather too easy--wit, let me mention the remarks of Mr. Smart (Act I.) on the way he passed the night, and in what manner. "Nine persons are kept handsomely out of the sober income of one hundred pounds a year." I also observe the name of an old acquaintance in this play. Thackeray's hero in the Memoirs of Mr. Charles J. Yellowplush is "the Honourable Algernon Percy Deuceace, youngest and fifth son of the Earl of Crabs," and in The Masquerade (Act III. Sc. i) Mr. Ombre says: "Did you not observe an old decay'd rake that stood next the box-keeper yonder ... they call him _Sir Timothy Deuxace_; that wretch has play'd off one of the best families in Europe--he has thrown away all his posterity, and reduced 20,000 acres of wood-land, arable, meadow, and pasture within the narrow circumference of an oaken table of eight foot." The Masquerade as the title of the play is a misnomer, for it does not conduce at all to the plot. We give the greater part of the Prologue to The Masquerade, spoken by Mr. Wilks:--
The Poet, who must paint by Nature's Laws, If he wou'd merit what he begs, Applause; Surveys your changing Pleasures with Surprise, Sees each new Day some new Diversion rise; Hither, thro' all the Quarters of the Sky, Fresh Rooks in Flocks from ev'ry Nation hye, To us, the Cullies of the Globe, they fly; French, Spaniards, Switzers; This Man dines on Fire And swallows Brimstone to your Heart's Desire; Another, Handless, Footless, Half a Man, Does, Wou'd you think it? what no Whole one can, A Spaniard next, taught an Italian Frown, Boldly declares he'll stare all Europe down: His tortured Muscles pleas'd our English Fools;
[Footnote: In the rival House, Lincoln's-Inn-Fields Theatre, Rich was bringing out Pantomimes, which, by the fertility of his invention, the excellency of his own performance, and the introduction of foreign performers, drew nightly crowded houses--hence the allusion.]
Why wou'd the Sot engage with English Bulls? Our English Bulls are Hereticks uncivil, They'd toss the Grand Inquisitor, the Devil: 'Twas stupidly contrived of Don Grimace, To hope to fright 'em with an ugly Face. And yet, tho' these Exotick Monsters please, We must with humble Gratitude confess, To you alone 'tis due, that in this Age, Good Sense still triumphs on the British Stage: Shakespear beholds with Joy his Sons inherit His good old Plays, with good old Bess's Spirit. Be wise and merry, while you keep that Tether; Nonsense and Slavery must die together.

DRAMATIS PERSON?.
DON GARCIA, _Prince of Navarre, in love with Elvira_.
[Footnote: In the inventory taken after Molière's death mention is made of "Spanish dress, breeches, cloth cloak, and a satin doublet, the whole adorned with silk embroideries." This is probably the dress in which Molière played Don Garcia.]
DON ALPHONSO, _Prince of Leon, thought to be Prince of Castile, under the name of Don Silvio_.
DON ALVAREZ, _confidant of Don Garcia, in love with Eliza_.
DON LOPEZ, _another confidant of Don Garcia, in love with Eliza_.
DON PEDRO, gentleman usher to Inez.
A PAGE.
DONNA ELVIRA, Princess of Leon.
DONNA INEZ, _a Countess, in love with Don Silvio, beloved by