Division of Words | Page 8

it to the next page.
XXVI Do not divide the last word of the last full line of a paragraph.
XXVII More than two divisions in successive lines should be avoided.
XXVIII Never divide at all if you can help it.

IMPORTANCE OF SPACING
It must always be remembered that good spacing is the first consideration. Nothing is more offensive to the eye of a good judge of printing than bad spacing. "Rivers" of white, dark spots, crowded black text, are very serious blemishes to a page. An ordinary book page is a study in color, the colors employed being black and white. Proper combination, balance, and proportion are as important here as in places where a variety of colors is employed. Many of the foregoing rules must be held subject to the exigencies of proper spacing. A rigid adherence, for example, to the rule that not more than two consecutive lines should end with divided words will not justify a badly spaced, unsightly line. There are many things that look worse than a hyphen at the end of the last full line in a paragraph. Avoidance of dividing the last word on a page, however, would justify even bad spacing, because of the gain to the reader. In the last resort, the interests of the reader must always have first consideration.
Division is greatly affected by the length of the measure. A long measure, 18 or 20 ems or more, gives greater opportunity for arranging the spacing, but, on the other hand, makes division on short syllables conspicuous and out of proportion. Very short register, as in two-column Bibles or in cases where illustrations are inserted in the text, presents very great difficulties and often calls for division which would not be allowable elsewhere. Such cases often call for the exercise of the greatest care and ingenuity.
It often happens that the author can be of great assistance to the printer in making a handsome page. A change of a phrase, or even of a word will avoid a difficulty which cannot be avoided by a printer except at the cost of bad division or bad spacing. If the author is a sensible person he will gladly cooperate with the printer in giving his thoughts clothing appropriate to their intrinsic beauty and value. After the printer has exhausted his resources he should not hesitate to carry his troubles to the author.

DIVISION IN LINES OF DISPLAY
As a rule division is never used in lines of display. In these cases the display is the important thing. Every word long enough to be divided is important enough to be displayed and emphasized. Divided words are weakened words. Lines of irregular lengths are used of set purpose.
In title pages words of bold display must never be divided. In minor lines of display, such as subtitles and summaries, words are often divided. A subheading of two lines should never be divided in the first line when it is possible to turn the full word over on to the next line. The shortening of the first line is never a blemish, but a too short second line following a hyphened first line is always a fault.
There is a school of ultra-artistic composition in book titles which affects a solid squaring up and hesitates at no means to secure its effects. It sets a definite measure and forces the lines into it, dividing words arbitrarily and using no hyphen. This is a passing fancy and will pass as eccentricities always pass. It should not be used unless the author insists upon it. The man who pays the bills has a right to have his work done as he pleases. The intelligent printer, however, will not allow the peculiarities of the individual customer to affect his general practice.
Note The pupil is referred to the appendix to DeVinne's "Correct Composition" for rules for the division of French, German, and Spanish words. The same appendix contains also a very excellent list of words which are spelled differently by different authorities, together with divisions for them.

SUPPLEMENTARY READING
Correct Composition. By Theodore L. DeVinne. Oswald Publishing Co., New York.
The Writer's Desk Book. By William Dana Orcutt. Frederick A. Stokes Co., New York.
A Manual for Writers. By John Matthews Manly and John Arthur Powell. The University of Chicago Press, Chicago.
Worcester's New Pronouncing Spelling Book. The American Book Company, New York.
The Art of Writing and Speaking the English Language: Dictionary of Errors. By Sherwin Cody. The Old Greek Press, Chicago.
(This is one of a series of six very excellent but inexpensive little books bearing the same general title and by the same author. They will be found very useful in connection with


Part VI of the
Typographic Technical Series generally.)

QUESTIONS
1. Is the spelling of English standardized?
2. How long have we considered correct spelling important?
3. What two causes exist for difficulties in spelling?
4. What