Diderot and the Encyclopædists (Vol 1 of 2) | Page 2

undertaking Co-operation of D'Alembert: his history and character Diderot and D'Alembert on the function of literature Presiding characteristic of the Encyclop?dia Its more eminent contributors The unsought volunteers Voltaire's share in it Its compliance with reigning prejudice Its aim, not literature but life Publication of first and second volumes (1751-52) Affair of De Prades Diderot's vindication of him (1752) Marks rupture between the Philosophers and the Jansenists Royal decree suppressing first two volumes (1752) Failure of the Jesuits to carry on the work Four more volumes published The seventh volume (1757) Arouses violent hostility The storm made fiercer by Helvétius's L'Esprit Proceedings against the Encyclop?dia Their significance They also mark singular reaction within the school of Illumination Retirement of D'Alembert Diderot continues the work alone for seven years His harassing mortifications The Encyclop?dia at Versailles Reproduction and imitations Diderot's payment
(2) GENERAL CONTENTS.
Transformation of a speculative into a social attack Circumstances of practical opportuneness Broad features of Encyclop?dic revolution Positive spirit of the Encyclop?dia Why we call it the organ of a political work Articles on Agriculture On the Gabelle and the Taille On Privilege On the Corveée On the Militia On Endowments, Fairs, and Industrial Guilds On Game and the Chase Enthusiasm for the details of industry Meaning of the importance assigned to industry and science Intellectual side of the change Attitude of the Encyclop?dia to religion Diderot's intention under this head How far the scheme fulfilled his intention The Preliminary Discourse Recognition of the value of discussion And of toleration
(3) DIDEROT'S CONTRIBUTIONS.
Their immense confusion Constant insinuation of sound doctrines And of practical suggestions Diderot not always above literary trifling No taste for barren erudition On Montaigne and Bayle Occasional bursts of moralising Varying attitude as to theology The practical arts Second-hand sources Inconsistencies Treatment of metaphysics On Spinosa On Leibnitz On Liberty Astonishing self-contradiction Political articles On the mechanism of government Anticipation of Cobdenic ideas Conclusion
CHAPTER VI.
SOCIAL LIFE (1759-1770).
Diderot's relations with Madame Voland His letters to her His Regrets on My Old Dressing-gown Domestic discomfort His indomitable industry Life at Grandval Meditations on human existence Interest in the casuistry of human feeling Various sayings A point in rhetoric Holbach's impressions of England Two cases of conscience A story of human wickedness Method and Genius: an Apologue Conversation Annihilation Characteristic of the century Diderot's inexhaustible friendliness The Abbé Monnier Mademoiselle Jodin Landois Rousseau Grimm Diderot's money affairs Succour rendered by Catherine of Russia French booksellers in the eighteenth century Dialogue between Diderot and D'Alembert English opinion on Diderot's circle
CHAPTER VII.
THE STAGE.
In what sense Diderot the greatest genius of the century Mark of his theory of the drama Diderot's influence on Lessing His play, The Natural Son (1757) Its quality illustrated His sense of the importance of pantomime The dialogues appended to The Natural Son His second play, The Father of the Family (1758) One radical error of his dramatic doctrine Modest opinion of his own experiments His admiration for Terence Diderot translates Moore's Gamester On Shakespeare The Paradox on the Player Account of Garrick On the truth of the stage His condemnation of the French classic stage The foundations of dramatic art Diderot claims to have created a new kind of drama No Diderotian school Why the Encyclop?dists could not replace the classic drama The great drama of the eighteenth century
CHAPTER VIII.
"RAMEAU'S NEPHEW."
The mood that inspired this composition History of the text Various accounts of the design of Rameau's Nephew Juvenal's Parasite Lucian Diderot's picture of his original Not without imaginative strokes More than a literary diversion Sarcasms on Palissot The musical controversy

DIDEROT.
CHAPTER I.
PRELIMINARY.
There was a moment in the last century when the Gallican church hoped for a return of internal union and prosperity. This brief era of hope coincided almost exactly with the middle of the century. Voltaire was in exile at Berlin. The author of the Persian Letters and the Spirit of Laws was old and near his end. Rousseau was copying music in a garret. The Encyclop?dia was looked for, but only as a literary project of some associated booksellers. The Jansenists, who had been so many in number and so firm in spirit five-and-twenty years earlier, had now sunk to a small minority of the French clergy. The great ecclesiastical body at length offered an unbroken front to its rivals, the great judicial bodies. A patriotic minister was indeed audacious enough to propose a tax upon ecclesiastical property, but the Church fought the battle and won. Troops had just been despatched to hunt and scatter the Protestants of the desert, and bigots exulted in the thought of pastors swinging on gibbets, and heretical congregations fleeing for their lives before the fire of orthodox musketry. The house of Austria had been forced to suffer spoliation at the hands of the infidel Frederick, but all the world was