Devil-Worship in France

in France, by Arthur Edward
Waite

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Title: Devil-Worship in France or The Question of Lucifer
Author: Arthur Edward Waite
Release Date: April 30, 2007 [EBook #21258]
Language: English
Character set encoding: ISO-8859-1
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DEVIL-WORSHIP IN FRANCE

Demy 8vo, about 450 pages, cloth
THE DOCTRINE AND RITUAL OF TRANSCENDENT MAGIC
BY
ELIPHAS LEVI
A COMPLETE TRANSLATION OF "DOGME ET RITUEL DE LA
HAUTE MAGIE"
BY
ARTHUR EDWARD WAITE
With all the original engravings and a portrait of the Author.
GEORGE REDWAY 9 HART STREET, BLOOMSBURY LONDON

DEVIL-WORSHIP IN FRANCE
OR
THE QUESTION OF LUCIFER
A RECORD OF THINGS SEEN AND HEARD IN THE SECRET
SOCIETIES ACCORDING TO THE EVIDENCE OF INITIATES
BY
ARTHUR EDWARD WAITE
"The first in this plot was Lucifer."--THOMAS VAUGHAN
LONDON GEORGE REDWAY 1896

PREFACE
The term Modern Satanism is not intended to signify the development
of some new aspect of old doctrine concerning demonology, or some
new argument for the personification of the evil principle in universal
nature. It is intended to signify the alleged revival, or, at least, the
reappearance to some extent in public, of a cultus diabolicus, or formal
religion of the devil, the existence of which, in the middle ages, is
registered by the known facts of the Black Sabbath, a department,
however, of historical research, to which full justice yet remains to be
done. By the hypothesis, such a religion may assume one of two forms;
it may be a worship of the evil principle as such, namely, a conscious
attempt on the part of human minds to identify themselves with that
principle, or it may be the worship of a power which is regarded as evil
by other religions, from which view the worshippers in question dissent.
The necessity for this distinction I shall make apparent in the first
chapter of this book. A religion of the darkness, subsisting under each
of these distinctive forms, is said to be in practice at the present
moment, and to be characterised, as it was in the past, by the strong
evidence of miracles,--in other words, by transcendental phenomena of
a very extraordinary kind, connecting in a direct manner with what is
generically termed Black Magic. Now, Black Magic in the past may
have been imposture reinforced by delusion, and to state that it is
recurring at the present day does not commit anyone to an opinion upon
its veridical origin. To say, also, that the existence of modern diabolism
has passed from the region of rumour into that of exhaustive and
detailed statement, is to record a matter of fact, and I must add that the
evidence in hand, whatever its ultimate value, can be regarded lightly
by those only who are unacquainted with its extent and character. This
evidence is, broadly, of three kinds:--(a) The testimony of independent
men of letters, who would seem to have come in contact therewith; (b)
the testimony volunteered by former initiates of such secret
associations as are dedicated to a cultus diabolicus; (c) the testimony of
certain writers, claiming special sources of information, and defending
some affected interests of the Roman Catholic Church.
My purpose in this book is to distinguish, so far as may be possible,

what is true from what is false in the evidence, and I have undertaken
the task, firstly, because modern mystics are accused, en masse, of
being concerned in this cultus; secondly, because the existence of
modern Satanism has given opportunity to a conspiracy of falsehood
which is wide in its ramifications, and serious on account of its source;
thirdly, because the question itself has awakened considerable interest
both within and without transcendental circles, and it is desirable to
replace hazy and exaggerated notions by a clear and formal statement.
I have connected the new diabolism with France in my title, because
the evidence in each of its kinds has been filed by French writers, and
we have no other source of information. So far as that evidence is
sound, we have to thank France for producing it; but, on the other hand,
should it prove that a whole city of invention has been constructed,
"with all its spires and gateways," upon a meagre basis of fact, it is just
that French imagination should have full credit for the decorative art
which has adorned this Question of Lucifer.
The plan