which pledged him so irretrievably to battle. He felt that his autograph to such a missive was distinctly inappropriate, and invited sure calamity. Ham, however, only nodded approval as he commanded, "When you take the bucket up, lay that on his desk and be sure he gets it."
Yet as Paul plodded on, a piteous little shape of quaking terror, Ham let the glance of militant tenderness flash once more into his eyes, and his voice came in sympathetic timbre.
"Paul, I can't always do your fightin' for you. If I could I wouldn't make you do it--but you've got to learn how to stand on your own legs. It ain't only the Marquess kid you're fightin'. You've got to lick the yeller streak out of yourself before it ruins you." He paused, then magnanimously added, "If you trim him down good and proper, I'll get you a new violin string in place of the one you busted."
It was a very unmilitary shape that huddled in its seat, watching his adversary read the ultimatum. As for the heir of the house of Marquess, he allowed his freckled face for a moment to pucker in blank astonishment, then a smile of beatitude enveloped it. It was such beatitude as might appear on the visage of a cat who has unexpectedly received a challenge to mortal combat from a mouse.
An hour of the afternoon session yet intervened between the present and the awful future and upon Paul Burton it rested with its incubus of dire suspense. It was an hour which the Marquess kid employed congenially across the aisle. Whenever the tired eyes of the teacher were not upon him he gave elaborate pantomimes wherein he felt the swelling biceps of his right arm, and made as if to spit belligerently upon his doubled fist. Sometimes his left hand seemed struggling to restrain the deadly right, lest it leap forth untimely in its hunger for smiting. These wordless pleasantries were in no wise lost on the shrinking Paul in whose slight body slept the spirit of the artist unfortified with martial iron of combat.
The world of boyhood has little understanding or sympathy for a soul like Paul's; a soul woven of dreams and harmonies which knows no means of attuning itself to the material. This lad walked with his head in the clouds and his thoughts in visions. His playmates were invisible to human eyes and he heard the crashing of vast symphonies where others felt only the silences. Now in a little while he was to have his face punched by a material and normal young savage whose very freckles shone with anticipation.
Ham Burton, looking on from his desk, recognized that in the frail lad who "wouldn't stick up for himself" burned the thin hot fire of genius without the stamina that alone could fan it into effective blaze. For Ham, whose face revealed as little of what went on back of his eyes as an Indian's, was the dreamer, too, though his dreams were cut to a different pattern. As he dealt in visions, so William the Conqueror may have dealt when a boy in his father's bakeshop; so Napoleon may have dreamed before the world had heard his name. The younger lad dreamed as the hasheesh-eater, for the vague and iridescent glory of visioning, but the elder dreamed otherwise, in preface to achievement.
The teacher rose at length to dismiss the classes, and as the children piled out into the crisp air, the Marquess kid was first on the hard-trodden soil of the school-yard--for there triumph awaited his coming. Paul was less impulsive. He collected his books with the most deliberate care, dusting them off with an unwonted solicitude. Then he spent an indefinite period searching for a stub of slate-pencil, which at another time would not have interested him. He hoped against hope that Jimmy Marquess would not have time to wait for him.
At last, the laggard in war felt Ham's strong hand on his coat-collar. Vainly protesting and sniffling, he was hustled toward the rotting threshold and catapulted upon his enemy so abruptly and skillfully that to the casual eye he might have seemed bursting with impatience for battle.
And as he stumbled, willy-nilly, upon the Marquess kid, the Marquess kid joyously gathered him in and began raining enthusiastic rights and lefts upon the blanched and blue-veined face.
Suddenly Paul Burton woke to the fact that at his back was an extremely solid wall; on his right an equally impassable fence; on his left his implacable brother and at his front--nothing but the Marquess kid.
Of the four obstacles Jimmy seemed the most vulnerable, and upon him Paul hurled himself with the exalted frenzy of a single idea: an idea of boring his way out of an insupportable position. That Jimmy's blows hurt
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