Despairs Last Journey | Page 9

David Christie Murray
it spoke in a language to which he had no key.
As he sat musing his eye fell upon the axe, and he started up and seized it as if suddenly reminded of some forgotten urgent duty. He fell to work at the big tree again, and laboured doggedly till nightfall. Inexperienced as he was, he brought observation and intelligence to the task, and knew already the kind of stroke which told most with the least expenditure of effort. When he could see no longer, he leaned gasping on the axe, and gave a grim nod of the head. 'I shall have you down.'
He was at it again next morning light and early. He toiled all day. The great pine leaned somewhat over the cliff, and though the angle was slight, it told as the gash deepened, and when the sun dipped over the top of the western mountain the huge doomed thing gave its first groan and hung a little towards its grave. At this sign the tired worker fell to with a freshened vigour. He was still striking when the royal head bowed, and then swept downward with a rush. He sprang to one side just in time to avoid the backward kick and the enormous flying splinters. Ten feet from its base and a hundred from its lowest branch the trunk caught the edge of the rock. The leverage and the weight of the fall snapped the two or three square feet of stanch fibre the axe had spared. That last strong anchorage broke, and the tree flashed into the rapids. The churning, shooting waters made a plaything of it.
The next day he fell into deep ennui, and to beguile himself he rummaged out of the canvas bag an old note-book and a pencil, and began a clumsy and uninstructed effort to sketch the scene before him. The effort proving quite abortive, he began to scrawl beneath it, 'Paul Armstrong.' 'Yours very truly, Paul Armstrong.' 'Disrespectfully yours, Paul Armstrong.' 'Sacred to the memory of Paul Armstrong, who died of boredom in the Rocky Mountains.' 'Paul Armstrong: the Autobiography of an Ass.'
He was in the very act of throwing the book away from him when he felt suddenly arrested. Why not 'Paul Armstrong: an Autobiography? It would fill the time. But the idea was no sooner formed than it began to pain. What sort of a record would it have to be if it were honest? What a confession of folly, of failure!
But as he sat his thoughts shaped themselves--
Thus.

THE STORY OF PAUL ARMSTRONG'S LIFE AND OF DESPAIR'S LAST JOURNEY
CHAPTER I
The first hint of memory showed a hearth, a fire, and a woman sitting in a chair with an outstretched finger. An invisible hand bunched his petticoats behind, and at his feet was a rug made of looped fragments of cloth of various colours. He lurched across the rug and caught the finger with a sense of adventure and triumph. Somebody clapped hands and laughed. Memory gave no more.
Then there was a long, narrow, brick-paved yard, a kind of oblong well, with one of the narrower sides broken down. The bricks of the pavement were of many colours--browns, purples, reds. They were full of breakages and hollows, and in rainy weather small pools gathered in the petty valleys. The loftiest boundary wall had once been whitewashed, but was now streaked green and yellow with old rains. A pump with a worn trough of stone stood half-way up the yard, and near it was a boy--a very little boy, in petticoats, and a yellow straw hat with ribbons. The frock he wore was of some tartan pattern, with red and green in it He had white thread socks, and shoes with straps across the instep. The straps were fastened with round glass buttons, and the child, with his feet planted close together, was looking down at the buttons with a flush of pride. He was conscious of being prettily attired, and this was his first remembered touch of personal vanity.
He was walking and crying in an old-fashioned village street, crying because his fat small thighs were chafing one another. It was Sunday, or a holiday, for his father was in a tall silk hat and black broadcloth and high collar, and a satin stock which fastened with a shiny buckle high up in the neck behind. His father stooped and lifted him, and carried him all the way to an old house with three front-doors, and porches over the doors, and a cage with two doves in it hanging on the lichened wall. There was a hedged garden opposite the house, with four poplars in the hedgerow. Their tops went right into the blue. Inside the old house was an old gentleman who was called Uncle. Round the room he
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