bolts, grumbling and swearing, and I went out into enfer. For he was right. A sandstorm at night in Beni-Kouidar is hell.
"Luckily, Safti joined me mysteriously from the deuce knows where, and we staggered to the dancing-house somehow, and struggled in, blinded, our faces scored, our clothes heavy with sand, our pockets, our very boots, weighed down with it.
"The tomtoms were roaring, the pipe was yelling, blown by the frantic demon with his hood full of latch keys, the impassible, bearded faces were watching the painted women who, in their red garments and their golden crowns, promenaded down the earthen floor, between the divans, fluttering their dyed fingers, smiling grotesquely like idols, bending forward their greasy foreheads to receive the tribute of their admirers.
"I ran my eyes swiftly over the mob. Marnier was not in it. I pushed my way towards the doorway on the left which gave on to the court of the dancers.
"Safti caught hold of my arm.
"'It is not safe to go in there on such a night, Sidi. There are no lamps. It is black as a tomb. And no one can tell who may be there. Nomads, perhaps, men of evil from the south. Many murders have been done in the court on black nights, and no one can say who has done them. For all the time men go in and out to the rooms of the dancers.'
"'Nevertheless, Safti, I must----'
"I stopped speaking, for at this moment Batouch, the brother of the Ca?d of Beni-Kouidar, came slowly in through the doorway from the blackness of the sand-swept court. There was a strange smile on his handsome face, and he was caressing his black beard gently with one delicate hand. He saw me, smiled more till I caught the gleam of his white teeth, passed on into the dancing-house, sat down on a divan, and called for coffee. I could not take my eyes from him. Every movement he made fascinated me. He drew from his pale blue robe a silver box, opened it, lifted out a pinch of tobacco, and began carefully to roll a cigarette. And all the time he smiled.
"A glacial cold crept over my body. As he lit his cigarette I caught hold of Safti, and hurried through the doorway into the blackness of the whirling sand."
*****
Here I stopped.
"Well?" said young England. "Well?"
The doctor did not speak.
"Well," I answered. "Algia danced that night. While she was dancing we found a dead body in the court. It was Marnier's. A knife had been thrust into him from behind!"
"Ah!" said the doctor.
"But--" exclaimed young England, "it was that fellow? It was Batouch?"
I shrugged my shoulders.
"Nobody ever found out who did it."
"Well, but of course----"
He checked himself, and an expression of admiration dawned slowly over his healthy, handsome face.
"I say," he said, "to be able to roll a cigarette directly afterwards! What infernal cheek!"
"Desert air!" I replied. "My dear chap--desert air!"
The doctor nodded.
End of the Project Gutenberg EBook of Desert Air, by Robert Hichens
*** END OF THIS PROJECT GUTENBERG EBOOK DESERT AIR ***
***** This file should be named 23418-8.txt or 23418-8.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/4/1/23418/
Produced by David Widger
Updated editions will replace the previous one--the old editions will be renamed.
Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that
Continue reading on your phone by scaning this QR Code
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.