perhaps, it would be interesting to look in there for a moment.
"'All right,' he responded, with his most donnish manner. 'But I expect it will be rather an unwashed crowd.'
"A quantity of native soldiers--the sort that used to be called Turcos--were gathered round the door. We pushed our way through them, and entered. The café was large, with big white pillars and a double row of divans in the middle, and divans rising in tiers all round. On the left was a large doorway, in which gorgeously-dressed painted women, with gold crowns on their heads, were standing, smoking cigarettes, and laughing with the Arabs; and at the end farthest from the street entrance was a raised platform, on which sat three musicians--a wild-looking demon of a man blowing into an instrument with an immense funnel, and two men beating tomtoms. The noise they made was terrific. The piper wore a voluminous burnouse, and as the dancers came in in pairs from the big doorway, which led into the court where they all live together, each in her separate little room with her own front door, they threw their door keys into the hood that was attached to it. As soon as they had finished dancing they went to the hood, and rummaged violently for them again. And all the time the piper blew frantically into his instrument, and rocked himself about like a man in a convulsion.
"We sat on one of the raised divans, with coffee before us on a wooden stool, and Marnier observed it all with a slightly supercilious coldness. The women, who were dressed in different shades of red, and were the most amazing trollops I ever set eyes on, came and went in pairs, fluttered their painted fingers, twittered like startled birds, jumped and twirled, wriggled and revolved, and inclined their greasy foreheads to the impenetrable spectators, who stuck silver coins on to the perspiring flesh. And Marnier sat and gazed at them with the aloofness of one who watches the creatures in puddle water through a microscope. I could scarcely help laughing at him, but I wished him away. For to me there was excitement, there was even a sort of ecstasy, in the utter barbarity of this spectacle, in the moving scarlet figures with their golden crowns and tufts of ostrich plumes, in the serried masses of turbaned and hooded spectators, in the rocking forms of the musicians, in the strident and ceaseless uproar that they made.
"And through the doorway where the Tur-cos--I like the old name--crowded I saw the sand filtering in from the desert, and against the black leaves of a solitary palm-tree, with leaves like giant Fatma hands, I saw the silver disc of the moon.
"'I vote we go,' said Marnier's light tenor voice in my ear. 'The atmosphere's awful in here.' "'Very well,' I said.
"I got up; but just then a girl, dressed in midnight purple embroidered with silver, came in from the doorway, and began to dance alone. She was very young--fourteen, I found out afterwards--and, in contrast to the other women, extremely beautiful. There were grace, seduction, mystery, and coquetry in her face and in all her movements. Her long black eyes held fire and dreams. Her fluttering hands seemed beckoning us to the realms of the thousand and one nights. I stood where I had got up, and watched her.
"'I say, aren't we going?' said Marnier's voice in my ear.
"I cursed the day when I had agreed to take him with me, leaped down to the earth, and struggled towards the door. As we neared it the girl sidled down the room till she was exactly in front of Marnier. Then she danced before him, smiling with her immense eyes, which she fixed steadily upon him, and bending forward her pretty head, covered with a cloth of silver handkerchief.
"'Give her something,' I said to him, laughing, as he stared back at her grimly.
"He thrust his hand into his pocket, found a franc, stuck it awkwardly against her oval forehead, and followed me out.
"When we were in the sandy street he walked a few steps in silence, then stood still, and, to my surprise, stared back at the dancing-house. Then he put his hand to his head.
"'Is the air having its alcoholic effect?' I asked in joke.
"As I spoke a handsome Arab, splendidly dressed in a pale blue robe, red gaiters and boots, and a turban of fine muslin, spangled with gold, passed us slowly, going towards the dancing-house. He cast a glance full of suspicion and malice at Marnier.
"'What's up with that fellow?' I said, startled.
"The Arab went on, and at that moment the faithful Safti joined us. He never left me long out of his sight in these outlandish places.
"'That is the Batouch Sidi, the brother
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