in the diary, and there's the fact that Harry had got rid of his money in a way no one could explain. You had it, and you have kept it, sir!"
Glazzard let his eyes stray about the room. He uncrossed his legs, tapped on the arm of his easy-chair, and said at length:
"I have no liking for violence, and I shall try to keep my temper. Please to tell me the date of the last entry in that journal."
Mr. Charnock opened the book again, and replied at once:
"June 5th of this year--1879."
"I see. Allow me a moment." He unlocked a drawer in a writing-table, and referred to some paper. "On the 1st of June--we were together the whole day--I paid your nephew five hundred and fifty pounds in bank-notes. Please refer to the diary."
"You were together on that day, but there is no note of such a transaction. 'With E. G. Much talk about pictures, books, and music --delightful!' That's all."
"Have you added up the sums mentioned previously?"
"Yes. They come to what you say. How did it happen, Mr. Glazzard, that you had so large a sum in bank-notes? It isn't usual."
"It is not unheard of, Mr. Charnock, with men who sometimes play for money."
"What! Then you mean to tell me that Harry learnt from you to be a gambler?"
"Certainly not. He never had the least suspicion that I played."
"And pray, what became of those notes after he received them?"
"I have no idea. For anything I know, you may still find the money."
Mr. Charnock rose from his seat.
"I see," he said, "that we needn't talk any longer. I don't believe your story, and there's an end of it. The fact of your borrowing was utterly disgraceful; it shows me that the poor boy had fallen in a trap, instead of meeting with a friend who was likely to guide and improve him. You confess yourself a gambler, and I go away with the conviction that you are something yet worse."
Glazzard set his lips hard, but fell back into the lounging attitude.
"The matter doesn't end here," went on his accuser, "be sure of that! I shall light upon evidence sooner or later. Do you know, sir, that Harry had a sister, and that she earns her own living by giving lessons? You have robbed her--think it over at your leisure. Why, less than a fortnight after that day you and he spent together-- the 1st of June--the lad lay dying; yet you could deliberately plan to rob him. Your denial is utterly vain; I would pledge my life on the charge! I read guilt in your face when I entered--you were afraid of me, Mr. Glazzard! I understand now why you never came to see the lad on his death-bed, though he sent for you--and of course I know why he was anxious to speak to you. Oh, you have plenty of plausible excuses, but they are lies! You felt pretty sure, I dare say, that the lad would not betray you; you knew his fine sense of honour; you calculated upon it. All your conduct is of a piece!"
Glazzard rose.
"Mr. Charnock, please to leave me.--I oughtn't to have borrowed that money; but having paid it back, I can't submit to any more of your abuse. My patience has its limits."
"I am no brawler," replied the other, "and I can do no good by talking to you. But if ever I come across any of your acquaintances, they shall know, very plainly, what opinion I have of you. Prosecute me for slander, Mr. Glazzard, if you dare--I desire nothing better!"
And Mr. Charnock went hurriedly from the room.
For several minutes Glazzard kept the same attitude, his eyes fixed on the floor, one hand behind his back, the other thrust into his waistcoat. Then he uttered an inarticulate exclamation, and walked with hurried, jerky step across the room; his facial muscles quivered ceaselessly, distorting the features into all manner of grotesque and ugly expressions. Again the harsh sound escaped him, and again he changed his place as though impelled by a sudden pain. It was a long time before he took a seat; on doing so, he threw up his feet, and rested them against the side of the fireplace. His hands were thrust into his trouser-pockets, and his head fell back, so that he stared at the ceiling. At one moment he gave out a short mocking laugh, but no look of mirth followed the explosion. Little by little he grew motionless, and sat with closed eyes.
From the walls about him looked down many a sweet and noble countenance, such as should have made the room a temple of serenity. Nowhere was there a token of vulgar sensualism; the actress, the ballet-nymph had no place among these chosen gems of art. On
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