edified their votaries, and reproached the tyrant. He was himself provoked by resistance and invective; and his own party accused him of an imperfect discharge of his duty, and urged for his imitation the example of the Jewish king, who had broken without scruple the brazen serpent of the temple. By a second edict, he proscribed the existence as well as the use of religious pictures; the churches of Constantinople and the provinces were cleansed from idolatry; the images of Christ, the Virgin, and the saints, were demolished, or a smooth surface of plaster was spread over the walls of the edifice. The sect of the Iconoclasts was supported by the zeal and despotism of six emperors, and the East and West were involved in a noisy conflict of one hundred and twenty years. It was the design of Leo the Isaurian to pronounce the condemnation of images as an article of faith, and by the authority of a general council: but the convocation of such an assembly was reserved for his son Constantine; ^19 and though it is stigmatized by triumphant bigotry as a meeting of fools and atheists, their own partial and mutilated acts betray many symptoms of reason and piety. The debates and decrees of many provincial synods introduced the summons of the general council which met in the suburbs of Constantinople, and was composed of the respectable number of three hundred and thirty-eight bishops of Europe and Anatolia; for the patriarchs of Antioch and Alexandria were the slaves of the caliph, and the Roman pontiff had withdrawn the churches of Italy and the West from the communion of the Greeks. This Byzantine synod assumed the rank and powers of the seventh general council; yet even this title was a recognition of the six preceding assemblies, which had laboriously built the structure of the Catholic faith. After a serious deliberation of six months, the three hundred and thirty-eight bishops pronounced and subscribed a unanimous decree, that all visible symbols of Christ, except in the Eucharist, were either blasphemous or heretical; that image-worship was a corruption of Christianity and a renewal of Paganism; that all such monuments of idolatry should be broken or erased; and that those who should refuse to deliver the objects of their private superstition, were guilty of disobedience to the authority of the church and of the emperor. In their loud and loyal acclamations, they celebrated the merits of their temporal redeemer; and to his zeal and justice they intrusted the execution of their spiritual censures. At Constantinople, as in the former councils, the will of the prince was the rule of episcopal faith; but on this occasion, I am inclined to suspect that a large majority of the prelates sacrificed their secret conscience to the temptations of hope and fear. In the long night of superstition, the Christians had wandered far away from the simplicity of the gospel: nor was it easy for them to discern the clew, and tread back the mazes, of the labyrinth. The worship of images was inseparably blended, at least to a pious fancy, with the Cross, the Virgin, the Saints and their relics; the holy ground was involved in a cloud of miracles and visions; and the nerves of the mind, curiosity and scepticism, were benumbed by the habits of obedience and belief. Constantine himself is accused of indulging a royal license to doubt, or deny, or deride the mysteries of the Catholics, ^20 but they were deeply inscribed in the public and private creed of his bishops; and the boldest Iconoclast might assault with a secret horror the monuments of popular devotion, which were consecrated to the honor of his celestial patrons. In the reformation of the sixteenth century, freedom and knowledge had expanded all the faculties of man: the thirst of innovation superseded the reverence of antiquity; and the vigor of Europe could disdain those phantoms which terrified the sickly and servile weakness of the Greeks.
[Footnote 18: Our original, but not impartial, monuments of the Iconoclasts must be drawn from the Acts of the Councils, tom. viii. and ix. Collect. Labbe, edit. Venet. and the historical writings of Theophanes, Nicephorus, Manasses, Cedrenus, Zonoras, &c. Of the modern Catholics, Baronius, Pagi, Natalis Alexander, (Hist. Eccles. Seculum viii. and ix.,) and Maimbourg, (Hist. des Iconoclasts,) have treated the subject with learning, passion, and credulity. The Protestant labors of Frederick Spanheim (Historia Imaginum restituta) and James Basnage (Hist. des Eglises Reformees, tom. ii. l. xxiiii. p. 1339 - 1385) are cast into the Iconoclast scale. With this mutual aid, and opposite tendency, it is easy for us to poise the balance with philosophic indifference.
Note: Compare Schlosser, Geschichte der Bilder-sturmender Kaiser, Frankfurt am-Main 1812 a book of research and impartiality - M.]
[Footnote 19: Some flowers of rhetoric. By Damascenus
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