to a faint inclination towards a very mild Bohemianism which sometimes beset him, and made his way in a day suit to Soho seeking a restaurant. He walked first down Greek Street, then turned into Frith Street. There he peeped into two or three restaurants without making up his mind to sample their cooking, and presently was attracted by a sound of guitars giving forth with almost Neapolitan fervour the well-known tune, "O Sole Mio!" The music issued from an unpretentious building over the door of which was inscribed, "Ristorante Bella Napoli."
It was a cold, dark evening, and Craven was feeling for the moment rather depressed and lonely. The music drew his thoughts to dear Italy, to sunshine, a great blue bay, brown, half-naked fishermen pulling in nets from the deep with careless and Pagan gestures, to the thoughtless, delicious life only possible in the golden heart of the South. He did not know the restaurant, but he hesitated no longer. Never mind what the cooking was like; he would eat to the sound of those guitars which he knew were being thrummed by Italian fingers. He pushed the swing door and at once found himself in a room which seemed redolent of the country which everyone loves.
It was a narrow room, with a sanded floor and the usual small tables. The walls were painted with volcanic pictures in which Vesuvius played a principal part. Vesuvius erupted on one wall, slept in the moonlight on another, at the end of the room was decked out in all the glories of an extremely Neapolitan sunset. Upon the ceiling was Capri, stretching out from an azure sea. For the moment the guitars had ceased, but their players, swarthy, velvet eyed, and unmistakable children of Italy, sat at ease, their instruments still held in brown hands ready for further plucking of the sonorous strings. And the room was alive with the uproar of Italian voices talking their native language, with the large and unselfconscious gestures of Italian hands, with the movement of Italian heads, with the flash and sparkle of animated Italian eyes. Chianti was being drunk; macaroni, minestra, gnocchi, ravioli, alaione were being eaten; here and there Toscanas were being smoked. Italy was in the warm air, and in an instant from Craven's consciousness London was blotted out.
For a moment he stood just inside the door feeling almost confused. Opposite to him was the padrona, a large and lustrous woman with sleepy, ox-like eyes, sitting behind a sort of counter. Italian girls, with coal-black hair, slipped deftly to and fro among the tables serving the customers. The musicians stared at Craven with the fixed, unwinking definiteness which the traveller from England begins to meet with soon after he passes Lugano. Where was a table for an Englishman?
"Ecco, signorino!"
An Italian girl smiled and beckoned with a sort of intimate liveliness and understanding that quite warmed Craven's heart. There was a table free, just one, under Vesuvius erupting. Craven took it, quickly ordered all the Italian dishes he could think of and a bottle of Chianti Rosso, and then looked about the long, little room. He looked --to see Italian faces, and he saw many; but suddenly, instead of merely looking, he stared. His eyelids quivered; even his lips parted. Was it possible? Yes, it was! At a table tucked into a corner by the window were sitting Beryl Van Tuyn and actually--Santa Lucia!--Lady Sellingworth! And they were both eating--what was it? Craven stretched his neck--they were both eating Risotto alla Milanese!
At this moment the guitars struck up that most Neapolitan of songs, the "Canzona di Mergellina," the smiling Italian girl popped a heaped- up plate of macaroni blushing gently with tomato sauce before Craven, and placed a straw bottle of ruby hued Chianti by the bit of bread at his left hand, and Miss Van Tuyn turned her corn-coloured head to have a good look at the room and, incidentally, to allow the room to have a good look at her.
The violet eyes, full of conscious assurance, travelled from table to table and arrived at Craven and his macaroni. She looked surprised, then sent him a brilliant smile, turned quickly and spoke to Lady Sellingworth. The latter then also looked towards Craven, smiled kindly, and bowed with the careless, haphazard grace which seemed peculiar to her.
Craven hesitated for an instant, then got up and threading his way among Italians, went to greet the two ladies. It struck him that Lady Sellingworth looked marvellously at home with her feet on the sanded floor. Could she ever be not at home anywhere? He spoke a few words, then returned to his table with Miss Van Tuyn's parting sentence in his ears; "When you have dined come and smoke your Toscana with us."
As he ate his
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