De Bello Gallico | Page 6

This legion, from the fashion of their crested helmets, which resembled the heads of a small aspiring bird, received the popular name of the Alauda (or Lark) legion. And very singular it was that Cato, or Marcellus, or some amongst those enemies of Caesar who watched his conduct during the period of his Gaulish command with the vigilance of rancorous malice, should not have come to the knowledge of this fact; in which case we may be sure that it would have been denounced to the Senate.
Such, then, for its purpose and its uniform motive, was the sagacious munificence of Caesar. Apart from this motive, and considered in and for itself, and simply with a reference to the splendid forms which it often assumed, this munificence would furnish the materials for a volume. The public entertainments of Caesar, his spectacles and shows, his naumachiae, and the pomps of his unrivalled triumphs (the closing triumphs of the Republic), were severally the finest of their kind which had then been brought forward. Sea-fights were exhibited upon the grandest scale, according to every known variety of nautical equipment and mode of conflict, upon a vast lake formed artificially for that express purpose. Mimic land-fights were conducted, in which all the circumstances of real war were so faithfully rehearsed that even elephants "indorsed with towers," twenty on each side, took part in the combat. Dramas were represented in every known language (_per omnium linguarum histriones_). And hence (that is, from the conciliatory feeling thus expressed towards the various tribes of foreigners resident in Rome) some have derived an explanation of what is else a mysterious circumstance amongst the ceremonial observances at Caesar's funeral-- that all people of foreign nations then residing at Rome distinguished themselves by the conspicuous share which they took in the public mourning; and that, beyond all other foreigners, the Jews for night after night kept watch and ward about the Emperor's grave. Never before, according to traditions which lasted through several generations in Rome, had there been so vast a conflux of the human race congregated to any one centre, on any one attraction of business or of pleasure, as to Rome on occasion of these triumphal spectacles exhibited by Caesar.
In our days, the greatest occasional gatherings of the human race are in India, especially at the great fair of the Hurdwar on the Ganges in northern Hindustan: a confluence of some millions is sometimes seen at that spot, brought together under the mixed influences of devotion and commercial business, but very soon dispersed as rapidly as they had been convoked. Some such spectacle of nations crowding upon nations, and some such Babylonian confusion of dresses, complexions, languages, and jargons, was then witnessed at Rome. Accommodations within doors, and under roofs of houses, or roofs of temples, was altogether impossible. Myriads encamped along the streets, and along the high-roads, fields, or gardens. Myriads lay stretched on the ground, without even the slight protection of tents, in a vast circuit about the city. Multitudes of men, even senators, and others of the highest rank, were trampled to death in the crowds. And the whole family of man might seem at that time to be converged at the bidding of the dead Dictator. But these, or any other themes connected with the public life of Caesar, we notice only in those circumstances which have been overlooked, or partially represented, by historians. Let us now, in conclusion, bring forward, from the obscurity in which they have hitherto lurked, the anecdotes which describe the habits of his private life, his tastes, and personal peculiarities.
In person, he was tall, fair, gracile, and of limbs distinguished for their elegant proportions. His eyes were black and piercing. These circumstances continued to be long remembered, and no doubt were constantly recalled to the eyes of all persons in the imperial palaces by pictures, busts, and statues; for we find the same description of his personal appearance three centuries afterwards in a work of the Emperor Julian's. He was a most accomplished horseman, and a master (_peritissimus_) in the use of arms. But, notwithstanding his skill and horsemanship, it seems that, when he accompanied his army on marches, he walked oftener than he rode; no doubt, with a view to the benefit of his example, and to express that sympathy with his soldiers which gained him their hearts so entirely. On other occasions, when travelling apart from his army, he seems more frequently to have ridden in a carriage than on horseback. His purpose, in this preference, must have been with a view to the transport of luggage. The carriage which he generally used was a rheda, a sort of gig, or rather curricle; for it was a _four_-wheeled carriage, and adapted (as we find from the imperial regulations